In this Issue

Table of Contents

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p. 1
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The Con

Aliza Shvarts
pp. 2-3
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José Esteban Muñoz 1967–2013

Barbara Browning, Vaginal Davis, Coco Fusco, Carmelita Tropicana, Alina Troyano, Dynasty Handbag, Jibz Cameron, Jorge Ignacio Cortiñas, Nao Bustamante
pp. 7-13
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Remembering Feminist Remimesis: A Riddle in Three Parts

Rebecca Schneider
pp. 14-32
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Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments

Petra Kuppers
pp. 33-50
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Theatre, Masculinity, and Class in the First World War: Vivian Gilbert Performs the Last Crusade

Eitan Bar-Yosef
pp. 51-71
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Work and Shoot: Professional Wrestling and Embodied Politics

Broderick D.V. Chow
pp. 72-86
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Still Thrills: The Drama of Chess

Gary Alan Fine, Harvey Young
pp. 87-98
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Shot and Captured: Turf Dance, YAK Films, and the Oakland, California, R.I.P. Project

Naomi Bragin
pp. 99-114
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An Audience Is Divided: Benjamin Patterson, Clifford Owens, and the Politics of Representation

Gillian Turner Young
pp. 115-131
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Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord’s Racial Project

Bryan Schmidt
pp. 132-148
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Gómez-Peña on Illness, the Human Body, Performance, and Quantum Physics: a psychomagic script for a hard recovery

Gómez-Peña Guillermo, Elaine Katzenberger
pp. 149-162
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The Subterranean Language of Jeanine Durning’s inging and Monique Jenkinson’s Instrument

Megan V. Nicely
pp. 163-171
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Making Theatre Art: David Levine’s Habit

Sarah Kozinn
pp. 171-176
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The Cambridge Companion to African American Theatre edited by Harvey Young (review)

David Krasner
pp. 177-179
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Racial Innocence: Performing American Childhood from Slavery to Civil Rights by Robin Bernstein (review)

Amma Y. Ghartey-Tagoe Kootin
pp. 179-180
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Sex, Drag, and Male Roles: Investigating Gender as Performance by Diane Torr and Stephen Bottoms (review)

Tanya Augsburg
pp. 180-182
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Antigone on the Contemporary World Stage edited by Erin B. Mee and Helene P. Foley (review)

Marvin Carlson
pp. 183-184
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The Brightest Thing in the World: 3 Lectures from the Institute of Failure by Matthew Goulish (review)

Jon Foley Sherman
pp. 184-186
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Ensemble Theatre Making: A Practical Guide by Rose Burnett Bonczek and David Storck (review)

Rachel Anderson-Rabern
pp. 186-188
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