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In this Issue

Table of Contents

  1. In Memoriam
  2. Logan D. Browning
  3. p. vi
  4. DOI: https://doi.org/10.1353/sel.2014.0012
  5. restricted access

Articles

  1. (De)Valuing the Crown in Tamburlaine, Dido Queen of Carthage, and Edward II
  2. C. K. Preedy
  3. pp. 259-277
  4. DOI: https://doi.org/10.1353/sel.2014.0020
  5. restricted access
  1. Sodomy and Stage Directions in Christopher Marlowe’s Edward(s) II
  2. Christopher Shirley
  3. pp. 279-296
  4. DOI: https://doi.org/10.1353/sel.2014.0015
  5. restricted access
  1. Thomas Nashe, The Vnfortvnate Traveller, and Love’s Labour’s Lost
  2. Maurice Hunt
  3. pp. 297-314
  4. DOI: https://doi.org/10.1353/sel.2014.0017
  5. restricted access
  1. Jews, Scots, and Pigs in The Merchant of Venice
  2. David B. Goldstein
  3. pp. 315-348
  4. DOI: https://doi.org/10.1353/sel.2014.0019
  5. restricted access
  1. Opportunistic Portia as Fortuna in Shakespeare’s Merchant of Venice
  2. Ellen M. Caldwell
  3. pp. 349-373
  4. DOI: https://doi.org/10.1353/sel.2014.0018
  5. restricted access
  1. Gender, Genre, and Elizabeth’s Princely Surrogates in Henry IV and Henry V
  2. Meghan C. Andrews
  3. pp. 375-399
  4. DOI: https://doi.org/10.1353/sel.2014.0016
  5. restricted access
  1. The Experience of Ceremony in Henry V
  2. Matthew J Smith
  3. pp. 401-421
  4. DOI: https://doi.org/10.1353/sel.2014.0013
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  1. Corporate Nationalism in Thomas Dekker’s The Shoemaker’s Holiday
  2. Christopher L. Morrow
  3. pp. 423-454
  4. DOI: https://doi.org/10.1353/sel.2014.0014
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  1. Persia and Kingship in William Cartwright’s The Royall Slave (1636)
  2. Chloë Houston
  3. pp. 455-473
  4. DOI: https://doi.org/10.1353/sel.2014.0022
  5. restricted access
  1. Recent Studies in Tudor and Stuart Drama
  2. Julia Reinhard Lupton
  3. pp. 475-514
  4. DOI: https://doi.org/10.1353/sel.2014.0021
  5. restricted access
  1. Books Received
  3. pp. 515-526
  4. DOI: https://doi.org/10.1353/sel.2014.0024
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