In this Issue

Table of Contents

“Oh My God, Audience Participation!”: Some Twenty-First-Century Reflections

Elizabeth Sakellaridou
pp. 13-38
DOI: https://doi.org/10.1353/cdr.2014.0005
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Bearing Witness and Taking Action: Audiences and Morality in Renaissance Tragedy and Activist Street Theater

Horacio Sierra
pp. 39-57
DOI: https://doi.org/10.1353/cdr.2014.0003
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School for Democracy: Interactive Theater in Soviet and Post-Soviet Russia

Tatyana Prokhorova, Vera Shamina
pp. 59-73
DOI: https://doi.org/10.1353/cdr.2014.0001
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On Aggro Performance: Audience Participation and the Dystopian Response to the Living Theatre’s Paradise Now

James Penner
pp. 75-92
DOI: https://doi.org/10.1353/cdr.2014.0011
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Precarious Presence in Contemporary Theater

Natascha Siouzouli
pp. 93-102
DOI: https://doi.org/10.1353/cdr.2014.0009
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“It’s Crazy, That Was Us”: The Implicated and Compliant Audience in The Boys of Foley Street

Nelson Barre
pp. 103-116
DOI: https://doi.org/10.1353/cdr.2014.0007
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The Tragic Spectator: Pig Iron Theatre Company’s Pay Up

Robert Quillen Camp
pp. 117-134
DOI: https://doi.org/10.1353/cdr.2014.0006
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Dreamers and Insomniacs: Audiences in Sleep No More and The Night Circus

Jennifer Flaherty
pp. 135-154
DOI: https://doi.org/10.1353/cdr.2014.0004
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Clean Up on Aisle Six: Closing the Gap between Spectator and Performance in Uli Jaeckle’s Discounter

Brian Rhinehart
pp. 155-168
DOI: https://doi.org/10.1353/cdr.2014.0002
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The Interactive Theater of Video Games: The Gamer as Playwright, Director, and Actor

Daniel Homan, Sidney Homan
pp. 169-186
DOI: https://doi.org/10.1353/cdr.2014.0000
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Introduction: “What Have You Learned Today?”

Sidney Homan
pp. 1-11
DOI: https://doi.org/10.1353/cdr.2014.0008
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Contributors

pp. 187-189
DOI: https://doi.org/10.1353/cdr.2014.0010
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