1. “Oh My God, Audience Participation!”: Some Twenty-First-Century Reflections
  2. Elizabeth Sakellaridou
  3. pp. 13-38
  4. DOI: 10.1353/cdr.2014.0005
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  1. Bearing Witness and Taking Action: Audiences and Morality in Renaissance Tragedy and Activist Street Theater
  2. Horacio Sierra
  3. pp. 39-57
  4. DOI: 10.1353/cdr.2014.0003
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  1. School for Democracy: Interactive Theater in Soviet and Post-Soviet Russia
  2. Tatyana Prokhorova, Vera Shamina
  3. pp. 59-73
  4. DOI: 10.1353/cdr.2014.0001
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  1. On Aggro Performance: Audience Participation and the Dystopian Response to the Living Theatre’s Paradise Now
  2. James Penner
  3. pp. 75-92
  4. DOI: 10.1353/cdr.2014.0011
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  1. Precarious Presence in Contemporary Theater
  2. Natascha Siouzouli
  3. pp. 93-102
  4. DOI: 10.1353/cdr.2014.0009
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  1. “It’s Crazy, That Was Us”: The Implicated and Compliant Audience in The Boys of Foley Street
  2. Nelson Barre
  3. pp. 103-116
  4. DOI: 10.1353/cdr.2014.0007
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  1. The Tragic Spectator: Pig Iron Theatre Company’s Pay Up
  2. Robert Quillen Camp
  3. pp. 117-134
  4. DOI: 10.1353/cdr.2014.0006
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  1. Dreamers and Insomniacs: Audiences in Sleep No More and The Night Circus
  2. Jennifer Flaherty
  3. pp. 135-154
  4. DOI: 10.1353/cdr.2014.0004
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  1. Clean Up on Aisle Six: Closing the Gap between Spectator and Performance in Uli Jaeckle’s Discounter
  2. Brian Rhinehart
  3. pp. 155-168
  4. DOI: 10.1353/cdr.2014.0002
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  1. The Interactive Theater of Video Games: The Gamer as Playwright, Director, and Actor
  2. Daniel Homan, Sidney Homan
  3. pp. 169-186
  4. DOI: 10.1353/cdr.2014.0000
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  1. Introduction: “What Have You Learned Today?”
  2. Sidney Homan
  3. pp. 1-11
  4. DOI: 10.1353/cdr.2014.0008
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  1. Contributors
  2. pp. 187-189
  3. DOI: 10.1353/cdr.2014.0010
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