Articles

  1. Alfred de Musset et les beaux-arts: Le poète en critique “sympathique”
  2. Gilles Castagnès
  3. pp. 159-175
  4. DOI: 10.1353/ncf.2014.0025
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  1. Prosper Mérimée’s Improvisatrice: The Voice of Corsican Lament in Colomba
  2. Ruth E. Rosenberg
  3. pp. 176-189
  4. DOI: 10.1353/ncf.2014.0031
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  1. La dramaturgie lamartinienne ou le postcolonial avant la lettre: Le marronnage comme résistance dans Toussaint Louverture
  2. Mouhamédoul A. Niang
  3. pp. 190-205
  4. DOI: 10.1353/ncf.2014.0003
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  1. Keys: Press and Privacy in the Goncourts’ Charles Demailly
  2. Edmund Birch
  3. pp. 206-220
  4. DOI: 10.1353/ncf.2014.0008
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  1. The “Accidental Murderer”: Jury Acquittal in Maupassant’s Crime Stories
  2. Sara D. Schotland
  3. pp. 221-234
  4. DOI: 10.1353/ncf.2014.0013
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  1. “À nous deux,” Balzac: Barrès’s Les Déracinés, and the Ghosts of La Comédie humaine
  2. François Proulx
  3. pp. 235-249
  4. DOI: 10.1353/ncf.2014.0018
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  1. Driving Us Crazy: Fast Cars, Madness, and the Avant-Garde in Octave Mirbeau’s La 628-e 8
  2. Claire Nettleton
  3. pp. 250-263
  4. DOI: 10.1353/ncf.2014.0023
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Reviews

Balzac Insolite

  1. Balzac occulte: Alchimie, magnétisme, sociétés secrètes by Anne-Marie Baron (review)
  2. James Mileham
  3. pp. 266-267
  4. DOI: 10.1353/ncf.2014.0001
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Reading, Literacy, and the Press

  1. The Writing Culture of Ordinary People in Europe, c. 1860–1920 by Martyn Lyons (review)
  2. Bettina R. Lerner
  3. pp. 268-270
  4. DOI: 10.1353/ncf.2014.0011
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  1. Women Readers in French Painting 1870–1890: A Source for the Imagination by Kathryn Brown (review)
  2. Laura Morowitz
  3. pp. 270-272
  4. DOI: 10.1353/ncf.2014.0016
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  1. L’Imaginaire médiatique. Histoire et fiction du journal au XIXe siècle by Guillaume Pinson (review)
  2. Edmund Birch
  3. pp. 272-273
  4. DOI: 10.1353/ncf.2014.0021
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Remarkable Women in Art and Literature

  1. La Tradition des romans de femmes. XVIIIe–XIXe siècles by Catherine Mariette-Clot, and Damien Zanone, eds. (review)
  2. Vicki Mistacco
  3. pp. 276-279
  4. DOI: 10.1353/ncf.2014.0033
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  1. Poèmes choisis suivis d’Études critiques by Marie Krysinska (review)
  2. Florence Goulesque
  3. pp. 279-280
  4. DOI: 10.1353/ncf.2014.0004
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Studies in Exceptionalism

  1. Heroes and Legends of Fin-de-siècle France: Gender, Politics, and National Identity by Venita Datta (review)
  2. Timothy Unwin
  3. pp. 280-282
  4. DOI: 10.1353/ncf.2014.0009
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  1. The Subject of Murder: Gender, Exceptionality, and the Modern Killer by Lisa Downing (review)
  2. Elizabeth Carroll
  3. pp. 282-284
  4. DOI: 10.1353/ncf.2014.0014
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  1. Voices from the Asylum: Four French Women Writers, 1850–1920 by Susannah Wilson (review)
  2. Hope Christiansen
  3. pp. 284-285
  4. DOI: 10.1353/ncf.2014.0019
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Artistic Cross-Pollination

  1. L’Autre théâtre romantique by Olivier Bara and Barbara T. Cooper, eds. (review)
  2. Michelle S. Cheyne
  3. pp. 286-287
  4. DOI: 10.1353/ncf.2014.0024
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  1. The Collector in Nineteenth-Century French Literature: Representation, Identity, Knowledge by Emma Bielecki (review)
  2. Dominique Pety
  3. pp. 289-290
  4. DOI: 10.1353/ncf.2014.0002
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  1. La Littérature à l’ombre: Sociologie du zutisme by Denis Saint-Amand (review)
  2. Robert St. Clair
  3. pp. 291-292
  4. DOI: 10.1353/ncf.2014.0007
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  1. The Subversive Poetics of Alfred Jarry: Ubusing Culture in the Almanachs du Père Ubu by Marieke Dubbelboer (review)
  2. Karl Pollin
  3. pp. 293-294
  4. DOI: 10.1353/ncf.2014.0012
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Sensual Aesthetics

  1. Ut musica poesis. Modèle musical et enjeux poétiques de Baudelaire à Mallarmé (1857–1897) by Florent Albrecht (review)
  2. Helen Abbott
  3. pp. 295-296
  4. DOI: 10.1353/ncf.2014.0017
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  1. Formal Revolution in the Work of Baudelaire and Flaubert by Kathryn Oliver Mills (review)
  2. William Olmsted
  3. pp. 296-298
  4. DOI: 10.1353/ncf.2014.0022
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  1. Verlaine: La parole ou l’oubli by Yann Frémy (review)
  2. Alan English
  3. pp. 298-299
  4. DOI: 10.1353/ncf.2014.0028
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  1. “Femmes damnées.” Saphisme et poésie (1846–1889) by Myriam Robic (review)
  2. Tama Lea Engelking
  3. pp. 300-301
  4. DOI: 10.1353/ncf.2014.0000
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  1. Renée Vivien, une femme de lettres entre deux siècles (1877–1909) by Nicole G. Albert, and Brigitte Rollet, eds. (review)
  2. Sharon Larson
  3. pp. 301-303
  4. DOI: 10.1353/ncf.2014.0005
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  1. De l’esthétisme au modernisme. Théophile Gautier, Ezra Pound by Christopher Bains (review)
  2. Violaine White
  3. pp. 303-304
  4. DOI: 10.1353/ncf.2014.0010
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Remise en Question des Generes

  1. Théophile Gautier: Une écriture paradoxale de l’histoire by Martine Lavaud, and Corinne Saminadayar-Perrin, eds. (review)
  2. Anne E. Linton
  3. pp. 305-306
  4. DOI: 10.1353/ncf.2014.0015
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  1. Difference Unbound: The Rise of Pluralism in Literature and Criticism by Stamos Metzidakis (review)
  2. Abbey Carrico
  3. pp. 308-309
  4. DOI: 10.1353/ncf.2014.0026
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Index

  1. Nineteenth-Century French Studies: Fall 2013–Summer 2014 / Volume 42 Numbers 1–4
  2. pp. 310-318
  3. DOI: 10.1353/ncf.2014.0032
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