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In this Issue

Table of Contents

  1. Aaron Copland’s Soviet Diary (1960)
  2. Kevin Bartig
  3. pp. 575-596
  4. DOI: https://doi.org/10.1353/not.2014.0043
  5. restricted access
  1. C. P. E. Bach Sources at the Library of Congress
  2. Daniel F. Boomhower
  3. pp. 597-660
  4. DOI: https://doi.org/10.1353/not.2014.0049
  5. restricted access
  1. Notes for Notes
  3. pp. 661-665
  4. DOI: https://doi.org/10.1353/not.2014.0055
  5. restricted access

Book Reviews

Ethnomusicology: Performing Culture

  1. Gentleman Troubadours and Andean Pop Stars: Huayno Music, Media Work, and Ethnic Imaginaries in Urban Peru by Joshua Tucker (review)
  2. Francisco D. Lara
  3. pp. 666-668
  4. DOI: https://doi.org/10.1353/not.2014.0061
  5. restricted access
  1. SamulNori: Contemporary Korean Drumming and the Rebirth of Itinerant Performance Culture by Nathan Hesselink (review)
  2. Soojin Kim
  3. pp. 668-670
  4. DOI: https://doi.org/10.1353/not.2014.0067
  5. restricted access
  1. From Opera Boat to Silver Screen: Visual and Sonic Culture of Cantonese Opera (尋覓粵劇聲影: 從紅船到水銀燈) by Sai-shing Yung (review)
  2. Min Wang
  3. pp. 670-672
  4. DOI: https://doi.org/10.1353/not.2014.0073
  5. restricted access
  1. And We’re All Brothers: Singing in Yiddish in Contemporary North America by Abigail Wood (review)
  2. Benita Wolters-Fredlund
  3. pp. 672-674
  4. DOI: https://doi.org/10.1353/not.2014.0041
  5. restricted access

Gothic and Punk

  1. Gothic Music: The Sounds of the Uncanny by Isabella van Elferen (review)
  2. Alexander Carpenter
  3. pp. 674-676
  4. DOI: https://doi.org/10.1353/not.2014.0047
  5. restricted access
  1. This Music Leaves Stains: The Complete Story of the Misfits by James Greene Jr (review)
  2. Brandon Peter Masterman
  3. pp. 676-679
  4. DOI: https://doi.org/10.1353/not.2014.0053
  5. restricted access

Jazz

  1. Eurojazzland: Jazz and European Sources, Dynamics, and Contexts ed. by Luca Cerchiari, Laurent Cugny, Franz Kerschbaumer (review)
  2. Hilary Baker
  3. pp. 679-682
  4. DOI: https://doi.org/10.1353/not.2014.0059
  5. restricted access
  1. Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland by Paul de Barros (review)
  2. Mark Gridley
  3. pp. 682-684
  4. DOI: https://doi.org/10.1353/not.2014.0065
  5. restricted access
  1. Keith Jarrett’s The Köln Concert by Peter Elsdon, and: People Get Ready: The Future of Jazz is Now! ed. by Ajay Heble, Rob Wallace, and: Beyond a Love Supreme: John Coltrane and the Legacy of an Album by Tony Whyton (review)
  2. Edward Komara
  3. pp. 684-687
  4. DOI: https://doi.org/10.1353/not.2014.0071
  5. restricted access
  1. Concise Guide to Jazz by Mark C. Gridley (review)
  2. Matthew Snyder
  3. pp. 687-690
  4. DOI: https://doi.org/10.1353/not.2014.0077
  5. restricted access

Instruments and Performance Practice

  1. “Diess herrliche, imponirende Instrument”: Die Orgel im Zeitalter Felix Mendelssohn Bartholdys ed. by Anselm Hartinger, Christoph Wolff, Peter Wollny (review)
  2. Christina Linklater
  3. pp. 690-692
  4. DOI: https://doi.org/10.1353/not.2014.0045
  5. restricted access
  1. Mozarts Tempo-System: Ein Handbuch für die professionelle Praxis: Alle Autograph bezeichneten Tempi in 420 Gruppen von Stücken gleicher Charakteristik mit 392 kommentierten Notenbeispielen und allen relevanten Quellentexten by Helmut Breidenstein (review)
  2. Michael Malkiewicz, Rebecca Schmid
  3. pp. 692-694
  4. DOI: https://doi.org/10.1353/not.2014.0051
  5. restricted access
  1. The Recorder and Other Members of the Flute Family in Writings from 1100 to 1500 by David Lasocki (review)
  2. Beth Thompson
  3. pp. 694-695
  4. DOI: https://doi.org/10.1353/not.2014.0057
  5. restricted access

Analysis and Stylistic Evolution

  1. Messiaen’s Final Works by Christopher Dingle (review)
  2. Vincent Benitez
  3. pp. 695-698
  4. DOI: https://doi.org/10.1353/not.2014.0063
  5. restricted access
  1. Harmony in Haydn and Mozart by David Damschroder (review)
  2. Steven D. Mathews
  3. pp. 698-700
  4. DOI: https://doi.org/10.1353/not.2014.0069
  5. restricted access
  1. Brahms Beyond Mastery: His Sarabande and Gavotte, and its Recompositions by Robert Pascall (review)
  2. Michael Vaillancourt
  3. pp. 700-702
  4. DOI: https://doi.org/10.1353/not.2014.0075
  5. restricted access

Bach and Bach Family

  1. Engaging Bach: The Keyboard Legacy from Marpurg to Mendelssohn by Matthew Dirst (review)
  2. Mark A. Peters
  3. pp. 703-704
  4. DOI: https://doi.org/10.1353/not.2014.0042
  5. restricted access
  1. Carl Philipp Emanuel Bach: Portrait Collection I: Catalogue ed. by Annette Richards, and: Carl Philipp Emanuel Bach: Portrait Collection II: Plates ed. by Annette Richards (review)
  2. Robin A. Leaver
  3. pp. 705-706
  4. DOI: https://doi.org/10.1353/not.2014.0048
  5. restricted access

Nineteenth and Twentieth Centuries

  1. Sergey Prokofiev, Diaries 1924–1933: Prodigal Son by Anthony Phillips (review)
  2. Kevin Bartig
  3. pp. 706-708
  4. DOI: https://doi.org/10.1353/not.2014.0054
  5. restricted access
  1. Wagner’s Melodies: Aesthetics and Materialism in German Musical Identity by David Trippett (review)
  2. Kirsten S. Paige
  3. pp. 708-710
  4. DOI: https://doi.org/10.1353/not.2014.0060
  5. restricted access
  1. The Quilting Points of Musical Modernism: Revolution, Reaction, and William Walton by J. P. E. Harper-Scott (review)
  2. Luca Lévi Sala
  3. pp. 710-712
  4. DOI: https://doi.org/10.1353/not.2014.0066
  5. restricted access

Pedagogy

  1. The Music History Classroom ed. by James A. Davis (review)
  2. Jessica H. Grimmer
  3. pp. 713-715
  4. DOI: https://doi.org/10.1353/not.2014.0072
  5. restricted access
  1. Books Recently Published
  2. Matt Ertz, James Procell
  3. pp. 716-726
  4. DOI: https://doi.org/10.1353/not.2014.0040
  5. restricted access

Digital Media Reviews

  1. Met Opera On Demand: Student Access (review)
  2. Kathleen DeLaurenti
  3. pp. 727-729
  4. DOI: https://doi.org/10.1353/not.2014.0046
  5. restricted access

Music Reviews

  1. The Mathew Holmes Manuscripts I: Cambridge University Library MS Dd.2.11 (review)
  2. Gary R. Boye
  3. pp. 730-732
  4. DOI: https://doi.org/10.1353/not.2014.0052
  5. restricted access
  1. Il terzo libro de madrigali a cinque voci con alcuni di Giovanni Gabrieli: Venezia, Angelo Gardano 1589 by Andrea Gabrieli (review)
  2. Sherri Bishop
  3. pp. 732-735
  4. DOI: https://doi.org/10.1353/not.2014.0058
  5. restricted access
  1. Elias = Elijah: Ein Oratorium nach Worten des Alten Testaments = The Words Selected from the Old Testament op. 70 ed. by Christian Martin Schmidt, and: Elias = Elijah: Ein Oratorium = An Oratorio, and: Christian Martin Schmidt, and: Elias = Elijah, op. 70, MWV A 25, Klavier-Bearbeitungen = Arrangements for Pianoforte (review)
  2. Laura Stokes
  3. pp. 735-739
  4. DOI: https://doi.org/10.1353/not.2014.0064
  5. restricted access
  1. Knyaz’ Igor’ = Prince Igor: Opera ed. by Anna Bulycheva (review)
  2. Albrecht Gaub
  3. pp. 739-745
  4. DOI: https://doi.org/10.1353/not.2014.0070
  5. restricted access
  1. Orchestral Works by George Butterworth (review)
  2. James Brooks Kuykendall
  3. pp. 745-748
  4. DOI: https://doi.org/10.1353/not.2014.0076
  5. restricted access
  1. Fortunato: An Opera in Three Scenes (1958) ed. by Stephanie Jensen-Moulton, and: Fortunato: Orchestration of Scene 1 ed. by Stephanie Jensen-Moulton (review)
  2. Mary Robb
  3. pp. 748-750
  4. DOI: https://doi.org/10.1353/not.2014.0044
  5. restricted access
  1. Music Received
  2. David Knapp
  3. pp. 751-761
  4. DOI: https://doi.org/10.1353/not.2014.0050
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  1. Communications
  3. p. 762
  4. DOI: https://doi.org/10.1353/not.2014.0056
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  1. Index to Advertisers
  3. p. 763
  4. DOI: https://doi.org/10.1353/not.2014.0062
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  1. Cumulative Index to Advertisers Volume 70
  3. p. 781
  4. DOI: https://doi.org/10.1353/not.2014.0068
  5. restricted access
  1. September 2013 through June 2014
  2. Martin D. Jenkins
  3. pp. 782-790
  4. DOI: https://doi.org/10.1353/not.2014.0074
  5. restricted access