In this Issue
Cultural Critique provides a forum for creative and provocative scholarship in the theoretical humanities and humanistic social sciences. Transnational in scope and transdisciplinary in orientation, the journal strives to spark and galvanize intellectual debates as well as to attract and foster critical investigations regarding any aspect of culture as it expresses itself in words, images, and sounds, across both time and space. The journal is especially keen to support scholarship that engages the ways in which cultural production, cultural practices, and cultural forms constitute and manifest the nexus between the aesthetic, the psychic, the economic, the political, and the ethical intended in their widest senses. While informed by the diverse traditions of historical materialism as well as by the numerous critiques of such traditions from various parts of the globe, the journal welcomes contributions based on a variety of theoretical-methodological paradigms.
published by
University of Minnesota Pressviewing issue
Number 86, Winter 2014Table of Contents
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View Jus Sanguinis, Jus Soli: West German Citizenship Law and the Melodrama of the Guest Worker in Fassbinder’s Angst Essen Seele Auf
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Jus Sanguinis, Jus Soli: West German Citizenship Law and the Melodrama of the Guest Worker in Fassbinder’s Angst Essen Seele Auf
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View No Place Like Ideology (On Slavoj Žižek): Is There a Difference Between the Theory of Ideology and the Theory of Interpretation?
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No Place Like Ideology (On Slavoj Žižek): Is There a Difference Between the Theory of Ideology and the Theory of Interpretation?
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| ISSN | 1460-2458 |
|---|---|
| Print ISSN | 0882-4371 |
| Launched on MUSE | 2014-04-30 |
| Open Access | No |
Copyright
Copyright © 2008 the Regents of the University of Minnesota.
