In this Issue
Published twice each year, Film & History: An Interdisciplinary Journal is a non-profit, peer-reviewed journal affiliated with the American Historical Association and hosted by Lawrence University since 2012. It has been published continuously since 1971.
Film & History welcomes article-length manuscripts of 4,000-7,000 words on the following topics:
- The effect of historical events on films, genres, or cultural & aesthetic standards
- The effect of films or film genres on historical or cultural events
- The aesthetic or rhetorical construction of history itself, as rendered in film
- The aesthetic premises or consequences of film-related media in historical context
- Use of motion pictures, television, and related media in the classroom
- The history, holdings, and current status of film and television archives
- New or controversial ways of presenting history in film and television
- Reviews of books and video/films and broadcasts addressing important themes or events
See filmandhistory.org for details.
published by
Center for the Study of Film and Historyviewing issue
Volume 44, Number 1, Spring 2014Table of Contents

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View Lang ist der Weg directed by Herbert B. Fredersdorf and Marek Goldstein, and: Morituri directed by Eugen York (review)
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View Black Sun: The Mythological Background of National Socialism directed by Riidiger Siinner (review)
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View Becoming Jack Nicholson: The Masculine Persona from Easy Rider to The Shining by Shawn R. Karli (review)
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View Welsh Mythology and Folklore in Popular Culture: Essays on Adaptations in Literature, Film, Felevision, and Digital Media edited by Audrey L. Becker and Kristin Noone (review)
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View Cinema and Social Change in Germany and Austria edited by Gabrielle Mueller and James M. Skidmore (review)
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View Concentrationary Cinema: Aesthetics as Political Resistance in Alain Renais’s Night and Fog edited by Griselda Pollock and Max Silverman (review)
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View The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture by Patricia Pisters (review)
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View Hitchcock at the Source, the Auteur as Adaptor edited by R. Barton Palmer and David Boyd (review)
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View Authorship and the Films of David Lynch: Aesthetic Receptions of Contemporary Hollywood by Antony Todd (review)
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View The Adaptation of History: Essays on Ways of Telling the Past edited by Laurence Raw and Defne Ersin Tutan (review)
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View Undead in the West: Vampires, Zombies, Mummies and Ghosts on the Cinematic Frontier edited by Cynthia J. Miller and A. Bowdoin Van Riper (review)
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View Television, Japan, and Globalization edited by Mitsuhiro Yoshimoto, Eva Tsai, and JungBong Choi (review)
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View Bad History and the Logics of Blockbuster Cinema: Titanic, Gangs of New York, Australia, Inglourious Basterds by Patrick Mcgec (review)
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ISSN | 1548-9922 |
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Print ISSN | 0360-3695 |
Launched on MUSE | 2014-05-01 |
Open Access | No |