In this Issue

Table of Contents

Muscle Shoals directed by Greg “Freddy” Camalier (review)

Michael Ray FitzGerald
pp. 5-8
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Beaches of Agnes directed by Agnés Varda (review)

Gregory Wolmart
pp. 8-12
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Walking the Green Tiger directed by Gary Marcuse (review)

Lawrence Mastroni
pp. 12-15
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Stories We Tell directed by Sarah Polley (review)

Laurence Raw
pp. 15-17
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The Army of Crime directed by: Robert Guédiguian (review)

Lawrence Baron
pp. 17-21
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Lang ist der Weg directed by Herbert B. Fredersdorf and Marek Goldstein, and: Morituri directed by Eugen York (review)

Ulrich Bach
pp. 22-24
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The Act of Killing directed by Joshua Oppenheimer (review)

Michael Reiff
pp. 24-27
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In the Fog [V tumane] directed by Sergei Loznitsa (review)

Mariëlle Wijermars
pp. 27-29
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The Last Extinction: Megabeasts’ Sudden Death written and produced by Doug Hamilton (review)

A. Bowdoin Van Riper
pp. 29-32
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Altiplano directed by Peter Brosens and Jessica Woodworth (review)

Jen Schneider
pp. 32-35
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Black Sun: The Mythological Background of National Socialism directed by Riidiger Siinner (review)

Adam Brown
pp. 35-37
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Charlie Wilson's War directed by Mike Nichols (review)

Vincent Bisson
pp. 38-40
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Young Goethe in Love directed by Philippe Stoelzl (review)

John C. Tibbetts
pp. 41-44
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Pacific Rim Directed by Guillermo del Toro (review)

Norma Jones
pp. 44-47
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The Great Hip Hop Hoax directed by Jeanie Finlay (review)

Kenneth A Longden
pp. 47-48
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The Rape of Europa by Richard Berge, Nicole Newnham, and Bonni Cohen (review)

Marilyn Lewis
pp. 49-51
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Mitt directed by Greg Whiteley (review)

Brian Faucette
pp. 51-54
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Becoming Jack Nicholson: The Masculine Persona from Easy Rider to The Shining by Shawn R. Karli (review)

Robert King
pp. 55-57
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Welsh Mythology and Folklore in Popular Culture: Essays on Adaptations in Literature, Film, Felevision, and Digital Media edited by Audrey L. Becker and Kristin Noone (review)

Dave Watson
pp. 58-59
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Cinema and Social Change in Germany and Austria edited by Gabrielle Mueller and James M. Skidmore (review)

Inga Meier
pp. 59-61
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Cinema and Colour: The Saturated Image by Paul Coates (review)

Douglas MacLeod
pp. 61-64
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Col. William N. Selig, the Man Who Invented Hollywood by Andrew A. Erish (review)

Richard John Ascárate
pp. 65-67
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Concentrationary Cinema: Aesthetics as Political Resistance in Alain Renais’s Night and Fog edited by Griselda Pollock and Max Silverman (review)

Judith Holland Sarnecki
pp. 68-70
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The Neuro-Image: A Deleuzian Film-Philosophy of Digital Screen Culture by Patricia Pisters (review)

Alev Degim
pp. 71-74
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Hitchcock at the Source, the Auteur as Adaptor edited by R. Barton Palmer and David Boyd (review)

Debbie Cutshaw
pp. 74-77
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Hollywood and Hitler, 1933-1939 by Thomas Doherty (review)

Rochelle Miller
pp. 77-79
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The Films of Joseph H. Lewis edited by Gary D. Rhodes (review)

Phil Robins
pp. 79-82
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Authorship and the Films of David Lynch: Aesthetic Receptions of Contemporary Hollywood by Antony Todd (review)

Zachary Ingle
pp. 82-84
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Nickelodeon City: Pittsburgh at the Movies, 1905-1929 by Michael Aronson (review)

Clémentine Tholas-Disset
pp. 85-86
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Peckinpah Today: New Essays on the Films of Sam Peckinpah edited by Michael, Bliss (review)

Ron Briley
pp. 87-89
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The Adaptation of History: Essays on Ways of Telling the Past edited by Laurence Raw and Defne Ersin Tutan (review)

William Cummings
pp. 89-91
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Undead in the West: Vampires, Zombies, Mummies and Ghosts on the Cinematic Frontier edited by Cynthia J. Miller and A. Bowdoin Van Riper (review)

Gabriel Eljaiek-Rodríguez
pp. 91-93
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Goodbye Cinema, Hello Cinephilia: Film Culture in Transition by Jonathan Rosenbaum (review)

Nabeel Siddiqui
pp. 93-96
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Television, Japan, and Globalization edited by Mitsuhiro Yoshimoto, Eva Tsai, and JungBong Choi (review)

Michael Sloyka
pp. 96-98
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Bad History and the Logics of Blockbuster Cinema: Titanic, Gangs of New York, Australia, Inglourious Basterds by Patrick Mcgec (review)

Frans Weiser
pp. 98-101
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Widescreen Worldwide edited by John Belton, Sheldon Hall, and Steve Neale (review)

James H. Krukones
pp. 101-103
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