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In this Issue

Table of Contents

  1. From the Editors
  2. Thomas A. DuBois, James P. Leary
  3. pp. 123-125
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  1. Bill Malone, Alan Lomax, and the Origins of Country Music
  2. Ronald D. Cohen
  3. pp. 126-139
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  1. The New York Sound: Citybilly Recording Artists and the Creation of Hillbilly Music, 1924–1932
  2. Patrick Huber
  3. pp. 140-158
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  1. Hillbilly Music Re-imagined: Folk and Country Music in the Midwest
  2. Paul L. Tyler
  3. pp. 159-190
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  1. The Diesel Cowboy in New England: Source and Symbol of Dick Curless’s "A Tombstone Every Mile"
  2. Clifford R. Murphy
  3. pp. 191-225
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  1. “The Southern Thesis”: Revisited and Reaffirmed
  2. Bill C. Malone
  3. pp. 226-229
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  1. “Are You from Dixie?”: Geography and Iconography in Country Music’s Southern Realms of Memory
  2. Erika Brady
  3. pp. 230-232
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  1. A Few Thoughts on Provocative Points
  2. Norm Cohen
  3. pp. 233-235
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  1. International Country Music
  2. Nathan D. Gibson
  3. pp. 236-242
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  1. Information about Contributors
  3. pp. 243-244
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