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In this Issue

Table of Contents

  1. Beate Sirota Gordon: Producing Performance at the Asia Society
  2. Kathy Foley
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/atj.2014.0009
  5. restricted access
  1. Chong Wishing’s Yakiniku Dragon 焼き肉ドラゴン: A Portrait of the Zainichi Korean-Japanese Experience
  2. Philip Flavin
  3. pp. 17-102
  4. DOI: https://doi.org/10.1353/atj.2014.0026
  5. restricted access
  1. “Democratic Kabuki” for a “Democratic Japan”: 1945–1946
  2. James R. Brandon
  3. pp. 103-125
  4. DOI: https://doi.org/10.1353/atj.2014.0004
  5. restricted access
  1. Innovation in Nō: Matsui Akira Continues a Tradition of Change
  2. Mariko Anno, Judy Halebsky
  3. pp. 126-152
  4. DOI: https://doi.org/10.1353/atj.2014.0028
  5. restricted access
  1. Socialist Realism and New Subjectivities: Modern Acting in Gao Xingjian’s Cold Theatre
  2. Glenn Odom
  3. pp. 153-178
  4. DOI: https://doi.org/10.1353/atj.2014.0023
  5. restricted access
  1. Mutual Illumination: The Xinggan Dramas and the Fanjiulou Ritual of Yongkang, Zhejiang
  2. Gene Cooper
  3. pp. 179-203
  4. DOI: https://doi.org/10.1353/atj.2014.0019
  5. restricted access
  1. Pure Love and Beyond: Suzuki Tadashi’s Use of Taiwanese Popular Music in La Dame aux Camélias (2011)
  2. Lia Wen-Ching Liang
  3. pp. 204-227
  4. DOI: https://doi.org/10.1353/atj.2014.0015
  5. restricted access
  1. Suzuki Tadashi’s La Dame aux Camélias in Taiwan
  2. Iris Hsin-chun Tuan
  3. pp. 228-241
  4. DOI: https://doi.org/10.1353/atj.2014.0011
  5. restricted access
  1. River! River! River! A Minjian Eco-Theatre
  2. Jiayun Zhuang
  3. pp. 242-269
  4. DOI: https://doi.org/10.1353/atj.2014.0006
  5. restricted access
  1. Tibetan Opera in and outside the Tibet Autonomous Region
  2. Kati Fitzgerald
  3. pp. 270-278
  4. DOI: https://doi.org/10.1353/atj.2014.0001
  5. restricted access
  1. The Legend of Apsara Mera: Princess Norodom Buppha Devi’s Choreography for the Royal Ballet of Cambodia
  2. Suppya Helene Nut
  3. pp. 279-289
  4. DOI: https://doi.org/10.1353/atj.2014.0025
  5. restricted access
  1. Reconstructing Memory, Constructing the Future: An Interview with PM Toh
  2. Tamara Aberle
  3. pp. 290-309
  4. DOI: https://doi.org/10.1353/atj.2014.0021
  5. restricted access
  1. Karnnaparithyagam (The Abandoning of Karna) by Sadanam K. Harikumaran (review)
  2. Graeme Vanderstoel
  3. pp. 310-314
  4. DOI: https://doi.org/10.1353/atj.2014.0017
  5. restricted access
  1. Tanvir ka Safarnama (Tanvir’s Travelogue) directed by Ranjan Kamath (review)
  2. Shayoni Mitra
  3. pp. 315-318
  4. DOI: https://doi.org/10.1353/atj.2014.0013
  5. restricted access
  1. Out! Loud! Directed by Betty Bernhard (review)
  2. Arnab Banerji
  3. pp. 318-321
  4. DOI: https://doi.org/10.1353/atj.2014.0008
  5. restricted access
  1. Imaging Dance: Visual Representations of Dancers and Dancing Edited by Barbara Sparti and Judy Van Zile (review)
  2. Kathy Foley
  3. pp. 322-324
  4. DOI: https://doi.org/10.1353/atj.2014.0003
  5. restricted access
  1. Moni Mekhala and Ream Eyso Edited by Prumsodun Ok (review)
  2. Rosemary Candelario
  3. pp. 324-326
  4. DOI: https://doi.org/10.1353/atj.2014.0027
  5. restricted access
  1. Opera and the City: The Politics of Culture in Beijing, 1770–1900 by Andrea S. Goldman (review)
  2. Liana Chen
  3. pp. 327-329
  4. DOI: https://doi.org/10.1353/atj.2014.0022
  5. restricted access
  1. Kinesthetic City: Dance and Movement in Chinese Urban Spaces by SanSan Kwan (review)
  2. Emily Wilcox
  3. pp. 329-332
  4. DOI: https://doi.org/10.1353/atj.2014.0018
  5. restricted access
  1. Strange Eventful Histories: Identity, Performance, and Xu Wei’s Four Cries of a Gibbon by Shiamin Kwa (review)
  2. Guanda Wu
  3. pp. 332-334
  4. DOI: https://doi.org/10.1353/atj.2014.0014
  5. restricted access
  1. Andha Yug: The Age of Darkness by Dharamvir Bharati (review)
  2. Sruti Bala
  3. pp. 334-336
  4. DOI: https://doi.org/10.1353/atj.2014.0010
  5. restricted access
  1. Hindi Theatre in Kolkata: Shyamanand Jalan and his Times Edited by Pratibha Agarwal and Samik Bandyopadhyay (review)
  2. Arnab Banerji
  3. pp. 336-338
  4. DOI: https://doi.org/10.1353/atj.2014.0005
  5. restricted access
  1. Singing Emptiness: Kumar Gandharva Performs the Poetry of Kabir by Linda Hess (review)
  2. Kathy Foley
  3. pp. 338-339
  4. DOI: https://doi.org/10.1353/atj.2014.0000
  5. restricted access
  1. Eternal Performance: Ta’ziyeh and Other Shiite Rituals Edited by Peter Chelkowski (review)
  2. Kathy Foley
  3. pp. 340-342
  4. DOI: https://doi.org/10.1353/atj.2014.0024
  5. restricted access
  1. Stars of the Tokyo Stage: Natori Shunsen’s Kabuki Actor Prints by Lucie Folan (review)
  2. William Fleming
  3. pp. 343-345
  4. DOI: https://doi.org/10.1353/atj.2014.0020
  5. restricted access
  1. Inexorable Modernity: Japan’s Grappling with Modernity in the Arts Edited by Hiroshi Nara (review)
  2. Yoshiko Fukushima
  3. pp. 346-350
  4. DOI: https://doi.org/10.1353/atj.2014.0016
  5. restricted access
  1. Crucible Bodies: Postwar Japanese Performance from Brecht to the New Millennium by Tadashi Uchino (review)
  2. David Jortner
  3. pp. 350-352
  4. DOI: https://doi.org/10.1353/atj.2014.0012
  5. restricted access
  1. From the Editor
  2. Kathy Foley
  3. p. v
  4. DOI: https://doi.org/10.1353/atj.2014.0007
  5. restricted access
  1. Color Insert
  3. pp. a-f
  4. DOI: https://doi.org/10.1353/atj.2014.0002
  5. restricted access