In this Issue

Table of Contents

From the Editor

Kathy Foley
p. v
DOI: https://doi.org/10.1353/atj.2014.0007
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In Memoriam

Beate Sirota Gordon: Producing Performance at the Asia Society

Kathy Foley
pp. 1-16
DOI: https://doi.org/10.1353/atj.2014.0009
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Play

Chong Wishing’s Yakiniku Dragon 焼き肉ドラゴン: A Portrait of the Zainichi Korean-Japanese Experience

Philip Flavin
pp. 17-102
DOI: https://doi.org/10.1353/atj.2014.0026
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Articles

“Democratic Kabuki” for a “Democratic Japan”: 1945–1946

James R. Brandon
pp. 103-125
DOI: https://doi.org/10.1353/atj.2014.0004
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Innovation in Nō: Matsui Akira Continues a Tradition of Change

Mariko Anno, Judy Halebsky
pp. 126-152
DOI: https://doi.org/10.1353/atj.2014.0028
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Socialist Realism and New Subjectivities: Modern Acting in Gao Xingjian’s Cold Theatre

Glenn Odom
pp. 153-178
DOI: https://doi.org/10.1353/atj.2014.0023
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Mutual Illumination: The Xinggan Dramas and the Fanjiulou Ritual of Yongkang, Zhejiang

Gene Cooper
pp. 179-203
DOI: https://doi.org/10.1353/atj.2014.0019
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Forum

Pure Love and Beyond: Suzuki Tadashi’s Use of Taiwanese Popular Music in La Dame aux Camélias (2011)

Lia Wen-Ching Liang
pp. 204-227
DOI: https://doi.org/10.1353/atj.2014.0015
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Suzuki Tadashi’s La Dame aux Camélias in Taiwan

Iris Hsin-chun Tuan
pp. 228-241
DOI: https://doi.org/10.1353/atj.2014.0011
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Emerging Scholars' Papers

River! River! River! A Minjian Eco-Theatre

Jiayun Zhuang
pp. 242-269
DOI: https://doi.org/10.1353/atj.2014.0006
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Tibetan Opera in and outside the Tibet Autonomous Region

Kati Fitzgerald
pp. 270-278
DOI: https://doi.org/10.1353/atj.2014.0001
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Report

The Legend of Apsara Mera: Princess Norodom Buppha Devi’s Choreography for the Royal Ballet of Cambodia

Suppya Helene Nut
pp. 279-289
DOI: https://doi.org/10.1353/atj.2014.0025
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Interview

Reconstructing Memory, Constructing the Future: An Interview with PM Toh

Tamara Aberle
pp. 290-309
DOI: https://doi.org/10.1353/atj.2014.0021
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Performance Review

Karnnaparithyagam (The Abandoning of Karna) by Sadanam K. Harikumaran (review)

Graeme Vanderstoel
pp. 310-314
DOI: https://doi.org/10.1353/atj.2014.0017
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Film Reviews

Tanvir ka Safarnama (Tanvir’s Travelogue) directed by Ranjan Kamath (review)

Shayoni Mitra
pp. 315-318
DOI: https://doi.org/10.1353/atj.2014.0013
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Out! Loud! Directed by Betty Bernhard (review)

Arnab Banerji
pp. 318-321
DOI: https://doi.org/10.1353/atj.2014.0008
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Book Reviews

Imaging Dance: Visual Representations of Dancers and Dancing Edited by Barbara Sparti and Judy Van Zile (review)

Kathy Foley
pp. 322-324
DOI: https://doi.org/10.1353/atj.2014.0003
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Moni Mekhala and Ream Eyso Edited by Prumsodun Ok (review)

Rosemary Candelario
pp. 324-326
DOI: https://doi.org/10.1353/atj.2014.0027
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Opera and the City: The Politics of Culture in Beijing, 1770–1900 by Andrea S. Goldman (review)

Liana Chen
pp. 327-329
DOI: https://doi.org/10.1353/atj.2014.0022
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Kinesthetic City: Dance and Movement in Chinese Urban Spaces by SanSan Kwan (review)

Emily Wilcox
pp. 329-332
DOI: https://doi.org/10.1353/atj.2014.0018
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Strange Eventful Histories: Identity, Performance, and Xu Wei’s Four Cries of a Gibbon by Shiamin Kwa (review)

Guanda Wu
pp. 332-334
DOI: https://doi.org/10.1353/atj.2014.0014
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Andha Yug: The Age of Darkness by Dharamvir Bharati (review)

Sruti Bala
pp. 334-336
DOI: https://doi.org/10.1353/atj.2014.0010
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Hindi Theatre in Kolkata: Shyamanand Jalan and his Times Edited by Pratibha Agarwal and Samik Bandyopadhyay (review)

Arnab Banerji
pp. 336-338
DOI: https://doi.org/10.1353/atj.2014.0005
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Singing Emptiness: Kumar Gandharva Performs the Poetry of Kabir by Linda Hess (review)

Kathy Foley
pp. 338-339
DOI: https://doi.org/10.1353/atj.2014.0000
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Eternal Performance: Ta’ziyeh and Other Shiite Rituals Edited by Peter Chelkowski (review)

Kathy Foley
pp. 340-342
DOI: https://doi.org/10.1353/atj.2014.0024
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Stars of the Tokyo Stage: Natori Shunsen’s Kabuki Actor Prints by Lucie Folan (review)

William Fleming
pp. 343-345
DOI: https://doi.org/10.1353/atj.2014.0020
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Inexorable Modernity: Japan’s Grappling with Modernity in the Arts Edited by Hiroshi Nara (review)

Yoshiko Fukushima
pp. 346-350
DOI: https://doi.org/10.1353/atj.2014.0016
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Crucible Bodies: Postwar Japanese Performance from Brecht to the New Millennium by Tadashi Uchino (review)

David Jortner
pp. 350-352
DOI: https://doi.org/10.1353/atj.2014.0012
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Color Insert

pp. a-f
DOI: https://doi.org/10.1353/atj.2014.0002
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