1. Editor’s Note
  2. Iris Smith Fischer
  3. pp. 5-6
  4. DOI: 10.1353/dtc.2007.0009
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  1. “Theatre in the ‘Engaged University’: A Context for Habermas’s Communicative Action”
  2. Anne Berkeley
  3. pp. 9-28
  4. DOI: 10.1353/dtc.2007.0011
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  1. Some Memory Plays Before the “Memory Play”
  2. Attilio Favorini
  3. pp. 29-50
  4. DOI: 10.1353/dtc.2007.0001
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  1. Staring Sightlessly”: Proust’s Presence in Beckett’s Absence
  2. Clark Lunberry, Steven Foster
  3. pp. 53-63
  4. DOI: 10.1353/dtc.2007.0003
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  1. Redefining the Way Theatre is Created and Performed: The Radical Inclusion of Suzan-Lori Parks’s 365 Days/365 Plays
  2. Philip C. Kolin
  3. pp. 65-83
  4. DOI: 10.1353/dtc.2007.0005
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  1. John Gronbeck-Tedesco: A Look Back at Twenty Years of the Journal of Dramatic Theory and Criticism
  2. Henry Bial, John Gronbeck-Tedesco
  3. pp. 87-93
  4. DOI: 10.1353/dtc.2007.0007
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  1. Inescapable Mimesis: JDTC in the Mortal Coil
  2. Herbert Blau
  3. pp. 95-97
  4. DOI: 10.1353/dtc.2007.0008
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  1. The Article, the Debate, the Book
  2. Les Essif
  3. pp. 98-99
  4. DOI: 10.1353/dtc.2007.0010
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  1. Thinking Otherwise in a Culture of Anxiety and Fear
  2. Michal Kobialka
  3. p. 100
  4. DOI: 10.1353/dtc.2007.0000
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  1. In Appreciation of John Gronbeck-Tedesco
  2. Kent Neely
  3. pp. 101-102
  4. DOI: 10.1353/dtc.2007.0002
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  1. Managing Editor Is to Editor …
  2. Joy D. Richmond
  3. pp. 103-104
  4. DOI: 10.1353/dtc.2007.0004
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  1. Philosophical Reflections on JDTC and John G-T
  2. Patricia Ybarra
  3. p. 105
  4. DOI: 10.1353/dtc.2007.0006
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