1. Making No Apologies for Difficulty: Putting Modernist Form at the Center of Classroom Discussions
  2. Erin Kay Penner
  3. pp. 1-19
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  1. Djuna Barnes, History’s Elsewhere, and the Transgender
  2. Ery Shin
  3. pp. 20-38
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  1. Melancholic Remedies: Djuna Barnes’s Nightwood as Narrative Theory
  2. Katherine A. Fama
  3. pp. 39-58
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  1. Hot Sparks and Cold Devils: Katherine Mansfield and Modernist Thermodynamics
  2. Alex Moffett
  3. pp. 59-75
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  1. Repetition, Race, and Desire in The Great Gatsby
  2. Adam Meehan
  3. pp. 76-91
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  1. Jean Rhys and the Fiction of Failed Reciprocity
  2. Rebecca Colesworthy
  3. pp. 92-108
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  1. The White Hotel’s Scandalous Finale: An Allegory of Reading
  2. Cates Baldridge
  3. pp. 109-122
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  1. Brooklyn as the “untold story” of “Eveline”: Reading Joyce and Tóibín with Ricoeur
  2. Tory Young
  3. pp. 123-140
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  1. Reclaiming the Past: Michael Ondaatje and the Body of History
  2. Christopher McVey
  3. pp. 141-160
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  1. “darling” Pru: Four Unpublished Tennessee Williams Letters to Truman Capote
  2. Philip C. Kolin
  3. pp. 161-176
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  1. Hope Mirrlees and the Archive of Modernism
  2. John T. Connor
  3. pp. 177-182
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  1. Collaborative Dubliners: Joyce in Dialogue, a Range of Framing Interpretations
  2. Elizabeth Mannion
  3. pp. 188-190
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  1. Has Death Come for Modernism?
  2. Claire Barber
  3. pp. 191-198
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  1. Weak Plots in the Modernist Novel: A Review of Stephen Kern’s The Modernist Novel: A Critical Introduction
  2. Janina Levin
  3. pp. 183-187
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  1. Notes on Contributors
  2. pp. 199-201
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