1. Taking (A)part: Investigations into Participation
  2. Mark Franko
  3. pp. 1-2
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  1. Current Trends in Contemporary Choreography: A Political Critique
  2. Alexandra Kolb
  3. pp. 29-52
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  1. The Muse of Virtuosity: Desmond Richardson, Race, and Choreographic Falsetto
  2. Ariel Osterweis
  3. pp. 53-74
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  1. Embodied Transformations in Neo-Burlesque Striptease
  2. Sherril Dodds
  3. pp. 75-90
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  1. Between History and Historiography: The Origins of Classical Kuchipudi Dance
  2. Rumya S. Putcha
  3. pp. 91-110
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  1. Dance, Interactive Technology, and the Device Paradigm
  2. Eric Mullis
  3. pp. 111-124
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  1. The Great Migration: Los Angeles Salsa Speculations and the Performance of Latinidad
  2. Cindy García
  3. pp. 125-136
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  1. Martha Graham in Love and War: The Life in the Work by Mark Franko (review)
  2. Rebekah Kowal
  3. pp. 143-150
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  1. Dancing Naturally: Nature, Neo-classicism and Modernity in Early Twentieth-Century Dance edited by Alexandra Carter and Rachel Fensham (review)
  2. Sally Ann Ness
  3. pp. 150-152
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  1. Contemporary Dance in Cuba: Técnica Cubana as Revolutionary Movement by Suki John (review)
  2. Elizabeth Schwall
  3. pp. 152-156
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  1. Dance on Its Own Terms: Histories and Methodologies edited by Melanie Bales and Karen Eliot (review)
  2. Seth Stewart Williams
  3. pp. 156-160
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  1. Dance and Politics edited by Alexandra Kolb (review)
  2. Lena Hammergren
  3. pp. 160-163
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  1. Directing the Dance Legacy of Doris Humphrey: The Creative Impulse of Reconstruction by Lesley Main (review)
  2. Mareia B. Siegel
  3. pp. 163-166
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  1. Books Received
  2. pp. 167-168
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