In this Issue

Table of Contents

Neoliberal Scandals: Foxconn, Mike Daisey, and the Turn Toward Nonfiction Drama

Shannon Steen
pp. 1-18
DOI: https://doi.org/10.1353/tj.2014.0023
restricted access

Prostitutes, Nuns, Actresses: Breaking the Convent Wall in Seventeenth-Century Venice

Christine Scippa Bhasin
pp. 19-35
DOI: https://doi.org/10.1353/tj.2014.0029
restricted access

Rethinking Buenos Aires Theatre in the Wake of 2001 and Emerging Structures of Resistance and Resilience

Jean Graham-Jones
pp. 37-54
DOI: https://doi.org/10.1353/tj.2014.0000
restricted access

Whose Joke Is It Anyway?: Originality and Theft in the World of Standup Comedy

George Pate
pp. 55-71
DOI: https://doi.org/10.1353/tj.2014.0005
restricted access

The Act of Being Saved: Hell House and the Salvific Performative

Hank Willenbrink
pp. 73-92
DOI: https://doi.org/10.1353/tj.2014.0010
restricted access

Revitalizing Japanese American Internment: Critical Empathy and Role-Play in the Musical Allegiance and the Video Game Drama in the Delta

Emily Roxworthy
pp. 93-115
DOI: https://doi.org/10.1353/tj.2014.0015
restricted access

Theatertreffen 2013 (review)

Ljubiša Matić
pp. 117-122
DOI: https://doi.org/10.1353/tj.2014.0021
restricted access

In The Beginning Was The End by dreamthinkspeak (review)

Jonathan Chambers
pp. 122-124
DOI: https://doi.org/10.1353/tj.2014.0027
restricted access

Bodytalk: Schlangen! by Rainer Kwasi and bodytalk (review)

Catherine Diamond
pp. 124-126
DOI: https://doi.org/10.1353/tj.2014.0033
restricted access

Children of the Sun by Maxim Gorky, adapted by Andrew Upton, directed by Howard Davies (review)

Leah Lowe
pp. 126-127
DOI: https://doi.org/10.1353/tj.2014.0003
restricted access

Oedipus Rex by Sophocles, Italian translation by Guido Paduano, directed by Daniele Salvo (review)

Patricia R. Schroeder
pp. 128-129
DOI: https://doi.org/10.1353/tj.2014.0008
restricted access

I, Cinna (The Poet) written and directed by Tim Crouch (review)

Ian Bradford Ngongotaha Pugh
pp. 129-132
DOI: https://doi.org/10.1353/tj.2014.0013
restricted access

Pericles, Prince of Tyre by William Shakespeare, directed by Mark Wing-Davey (review)

Megan Herrold
pp. 132-133
DOI: https://doi.org/10.1353/tj.2014.0019
restricted access

Othello: A Dance in Three Acts by Lar Lubovitch, directed by Ashley D. Wheater, and: Macbeth by Paul Vasterling, directed by Paul Vasterling (review)

Meredith Beales
pp. 134-136
DOI: https://doi.org/10.1353/tj.2014.0025
restricted access

Eterniday by Charles Mee, directed and choreographed by Dan Safer (review)

Timothy J. Schafer
pp. 137-139
DOI: https://doi.org/10.1353/tj.2014.0031
restricted access

Sing Me a Tale, Tell Me a Song created and directed by Gilbert Laumord (review)

Emily Sahakian
pp. 139-140
DOI: https://doi.org/10.1353/tj.2014.0001
restricted access

Christmas in Hanoi by Eddie Borey, directed by Jeff Liu (review)

Emily Raymundo
pp. 141-143
DOI: https://doi.org/10.1353/tj.2014.0006
restricted access

The Night Alive by Conor McPherson, directed by Conor McPherson (review)

Andrea Grunert
pp. 143-145
DOI: https://doi.org/10.1353/tj.2014.0011
restricted access

The Happiest Song Plays Last by Quiara Alegría Hudes, directed by Edward Torres, and: Water by the Spoonful by Quiara Alegría Hudes, directed by Davis McCallum (review)

David Román
pp. 145-149
DOI: https://doi.org/10.1353/tj.2014.0016
restricted access

Shakespeare and His Contemporaries?

Patrick J. Murray
pp. 151-159
DOI: https://doi.org/10.1353/tj.2014.0022
restricted access

Shakesqueer: A Queer Companion to the Complete Works of Shakespeare edited by Madhavi Menon (review)

Devin Toohey
pp. 161-162
DOI: https://doi.org/10.1353/tj.2014.0028
restricted access

Persecution, Plague, and Fire: Fugitive Histories of the Stage in Early Modern England by Ellen MacKay (review)

Musa Gurnis
pp. 162-163
DOI: https://doi.org/10.1353/tj.2014.0034
restricted access

Shakespeare’s Schoolroom: Rhetoric, Discipline, Emotion by Lynn Enterline (review)

Adonis Galeos
pp. 163-164
DOI: https://doi.org/10.1353/tj.2014.0004
restricted access

Dramatic Battles in Eighteenth-Century France: Philosophes, Anti-Philosophes and Polemical Theatre by Logan J. Connors (review)

Pannill Camp
pp. 165-166
DOI: https://doi.org/10.1353/tj.2014.0009
restricted access

Entertaining Crisis in the Atlantic Imperium, 1770–1790 by Daniel O’Quinn (review)

Daniel Smith
pp. 166-167
DOI: https://doi.org/10.1353/tj.2014.0014
restricted access

Theatre of Crisis: The Performance of Power in the Kingdom of Ireland, 1662–1692 by Patrick Tuite (review)

Deirdre O’Rourke
pp. 167-168
DOI: https://doi.org/10.1353/tj.2014.0020
restricted access

Spectacles of Reform: Theater and Activism in Nineteenth-Century America by Amy E. Hughes (review)

John W. Frick
pp. 168-170
DOI: https://doi.org/10.1353/tj.2014.0026
restricted access

Pioneer Performances: Staging the Frontier by Matthew Rebhorn, and: Early-Twentieth-Century Frontier Dramas on Broadway: Situating the Western Experience in Performing Arts by Richard Wattenberg (review)

Karl M. Kippola
pp. 170-172
DOI: https://doi.org/10.1353/tj.2014.0032
restricted access

Uncle Tom’s Cabin On the American Stage and Screen by John W. Frick (review)

Tom Robson
pp. 172-173
DOI: https://doi.org/10.1353/tj.2014.0002
restricted access

Baggy Pants Comedy: Burlesque and the Oral Tradition by Andrew Davis (review)

Patricia Elise Nelson
pp. 173-174
DOI: https://doi.org/10.1353/tj.2014.0007
restricted access

Automata and Mimesis on the Stage of Theatre History by Kara Reilly (review)

Michelle Mills Smith
pp. 174-175
DOI: https://doi.org/10.1353/tj.2014.0012
restricted access

Great Lengths: Seven Works of Marathon Theater by Jonathan Kalb (review)

Ralf Remshardt
pp. 176-177
DOI: https://doi.org/10.1353/tj.2014.0018
restricted access

Site-Specific Performance by Mike Pearson (review)

Angela Marino
pp. 177-178
DOI: https://doi.org/10.1353/tj.2014.0024
restricted access

Masculinities and The Contemporary Irish Theatre by Brian Singleton (review)

Nelson Barre
pp. 178-179
DOI: https://doi.org/10.1353/tj.2014.0030
restricted access

Editorial Comment: Neoliberal and Other Scandals

Ric Knowles
pp. ix-xii
DOI: https://doi.org/10.1353/tj.2014.0017
restricted access