1. "No need of words": Joseph Conrad's Use of the Typographical Ellipsis in Under Western Eyes and "The Secret Sharer"
  2. Jeremy Hawthorn
  3. pp. 5-23
  4. DOI: 10.1353/cnd.2011.0028
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  1. The Rescue: The Physiology of Sensation and Literary Style
  2. Hugh Epstein
  3. pp. 25-50
  4. DOI: 10.1353/cnd.2011.0030
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  1. Racism and The Nigger of the "Narcissus"
  2. D.C.R.A. Goonetilleke
  3. pp. 51-66
  4. DOI: 10.1353/cnd.2011.0032
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  1. Conrad's Creole Family Romance and "A Smile of Fortune"
  2. Christopher Gogwilt
  3. pp. 67-79
  4. DOI: 10.1353/cnd.2011.0034
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  1. Navigating Trauma in Conrad's Victory: A Voyage from Sigmund Freud to Phillip Bromberg
  2. Carola M. Kaplan
  3. pp. 81-92
  4. DOI: 10.1353/cnd.2011.0036
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  1. "Dead men have no children" in Conrad's "The Idiots" and "Amy Foster"
  2. Ellen Burton Harrington
  3. pp. 93-103
  4. DOI: 10.1353/cnd.2011.0038
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  1. "Astray amongst the Passion of the Earth": Lord Jim as Schopenhauerian Passion Play
  2. James Walter Caufield
  3. pp. 105-122
  4. DOI: 10.1353/cnd.2011.0027
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  1. Conrad Don't Surf: Teaching Modern Texts to Digital Readers
  2. Tom Henthorne
  3. pp. 123-131
  4. DOI: 10.1353/cnd.2011.0029
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  1. Two Screen Versions of "The Secret Sharer"
  2. Joseph A. Kestner
  3. pp. 133-145
  4. DOI: 10.1353/cnd.2011.0031
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  1. Agitational Ethics: Conrad, Malick, and the Sublime
  2. Patrick Fuery, Kelli Fuery
  3. pp. 147-159
  4. DOI: 10.1353/cnd.2011.0033
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  1. The Several Lives of Joseph Conrad by John Stape, and: A Personal Record by Joseph Conrad (review)
  2. Marion C. Michael
  3. pp. 168-175
  4. DOI: 10.1353/cnd.2011.0037
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  1. Introduction
  2. Richard Ruppel
  3. pp. 1-3
  4. DOI: 10.1353/cnd.2011.0039
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  1. Notes on Contributors
  2. pp. 177-179
  3. DOI: 10.1353/cnd.2011.0026
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