1. Not Two: Denial and Duality in Hamlet
  2. Cherrell Guilfoyle
  3. pp. 297-313
  4. DOI: 10.1353/cdr.1989.0045
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  1. The Mass on the Medieval Stage
  2. Lynette R. Muir
  3. pp. 314-330
  4. DOI: 10.1353/cdr.1989.0034
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  1. The Refusal to Paint: Shakespeare’s Poetry of Place
  2. Judith Dundas
  3. pp. 331-343
  4. DOI: 10.1353/cdr.1989.0036
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  1. Eugene O’Neill’s Joseph: A Touch of the Dreamer
  2. Kurt Eisen
  3. pp. 344-358
  4. DOI: 10.1353/cdr.1989.0038
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  1. Macbeth and Hercules: The Hero Bewitched
  2. Elizabeth Truax
  3. pp. 359-376
  4. DOI: 10.1353/cdr.1989.0040
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  1. Performance Dynamics and the Amsterdam Werkteater by Dunbar H. Ogden (review)
  2. Thomas Postlewait
  3. pp. 377-379
  4. DOI: 10.1353/cdr.1989.0042
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  1. Renaissance Tragicomedy: Explorations in Genre and Politics ed. by Nancy Klein Maguire (review)
  2. John D. Cox
  3. pp. 379-381
  4. DOI: 10.1353/cdr.1989.0044
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  1. Contemporary Polish Theater and Drama (1956–1984) by E. J. Czerwinski (review)
  2. Zbigniew Folejewski
  3. pp. 381-383
  4. DOI: 10.1353/cdr.1989.0033
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  1. Acrobats of the Soul: Comedy and Virtuosity in Contemporary American Theatre by Ron Jenkins (review)
  2. James Fisher
  3. pp. 383-384
  4. DOI: 10.1353/cdr.1989.0035
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  1. Tragic Drama and the Family: Psychoanalytic Studies from Aeschylus to Beckett by Bennett Simon (review)
  2. Nancy M. Tischler
  3. pp. 384-385
  4. DOI: 10.1353/cdr.1989.0037
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  1. Playboys and Killjoys: An Essay on the Theory and Practice of Comedy by Harry Levin (review)
  2. William W. Combs
  3. pp. 385-387
  4. DOI: 10.1353/cdr.1989.0039
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  1. J. B. Priestley’s Plays by Holger Klein (review)
  2. Albert E. Kalson
  3. pp. 387-390
  4. DOI: 10.1353/cdr.1989.0041
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  1. Index to Volume 23 (1989–90)
  2. pp. 391-392
  3. DOI: 10.1353/cdr.1989.0043
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