In this Issue

Table of Contents

‘It Is Written’: Tom Stoppard and the Drama of the Intertext

Kinereth Meyer
pp. 105-122
DOI: https://doi.org/10.1353/cdr.1989.0024
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Silent Women and Shrews: Eroticism and Convention in Epicoene and Measure for Measure

Charles R. Lyons
pp. 123-140
DOI: https://doi.org/10.1353/cdr.1989.0027
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The Imperial Play as Final Chapter in the Jesuit Theater in Austria

Eugene J. Devlin
pp. 141-155
DOI: https://doi.org/10.1353/cdr.1989.0029
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Theatrical Pragmatics: The Actor-Audience Relationship from the Mystery Cycles to the Early Tudor Comedies

Hans-Jürgen Diller
pp. 156-165
DOI: https://doi.org/10.1353/cdr.1989.0031
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‘Both bodily deth and werldly shame’: ‘Little Musgrave and Lady Barnard’ as Source for A Woman Killed With Kindness

Dean A. Hoffman
pp. 166-178
DOI: https://doi.org/10.1353/cdr.1989.0019
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Selected Letters of Eugene O’Neill ed. by Travis Bogard, Jackson R. Bryer (review)

Michael Manheim
pp. 179-181
DOI: https://doi.org/10.1353/cdr.1989.0021
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A Companion to Henslowe’s Diary by Neil Carson (review)

Arthur F. Kinney
pp. 181-184
DOI: https://doi.org/10.1353/cdr.1989.0023
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The Shifting Point: Theatre, Film, Opera, 1946–1987 by Peter Brook, and: The Mahabharata by Jean-Claude Carrière, and: The Field of Drama: How the Signs of Drama Create Meaning on Stage and Screen by Martin Esslin, and: Vladimir’s Carrot: Modern Drama and the Modern Imagination by John Peter (review)

Enoch Brater
pp. 184-187
DOI: https://doi.org/10.1353/cdr.1989.0026
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Peter Shaffer: Roles, Rites, and Rituals in the Theater by Gene A. Plunka (review)

Dennis A. Klein
pp. 188-191
DOI: https://doi.org/10.1353/cdr.1989.0028
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“Concord in Discord”: The Plays of John Ford 1586–1986 ed. by Donald K. Anderson, Jr. (review)

Phoebe S. Spinrad
pp. 191-192
DOI: https://doi.org/10.1353/cdr.1989.0030
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Tom Stoppard: The Artist as Critic by Neil Sammells (review)

Katherine E. Kelly
pp. 193-195
DOI: https://doi.org/10.1353/cdr.1989.0032
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Hamlet: Film, Television, and Audio Performance ed. by Bernice Kliman (review)

Frances Teague
pp. 195-197
DOI: https://doi.org/10.1353/cdr.1989.0020
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The Banished Prince: Time, Memory, and Ritual in the Late Plays of Eugene O’Neill by Laurin Porter (review)

Michael Hinden
pp. 197-198
DOI: https://doi.org/10.1353/cdr.1989.0022
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The Designs of Carolean Comedy by Eric Rothstein, Frances M. Kavenik (review)

Christopher Spencer
pp. 198-200
DOI: https://doi.org/10.1353/cdr.1989.0025
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