In this Issue

Table of Contents

The Robin Hood Folk Plays of South-Central England

Michael J. Preston
pp. 91-100
DOI: https://doi.org/10.1353/cdr.1976.0003
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Italian Renaissance Drama in the Eighteenth Century

Beatrice Corrigan
pp. 101-115
DOI: https://doi.org/10.1353/cdr.1976.0005
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The Trinity in Medieval Drama

Lynette R. Muir
pp. 116-129
DOI: https://doi.org/10.1353/cdr.1976.0007
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Brecht’s Quarrel with God: From Anti-Theodicy to Eschatology

Edward M. Berckman
pp. 130-146
DOI: https://doi.org/10.1353/cdr.1976.0009
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The Error of Our Eye in Troilus and Cressida

John D. Cox
pp. 147-171
DOI: https://doi.org/10.1353/cdr.1976.0011
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The Theatrical Event: A Mythos, a Vocabulary, a Perspective by David Cole (review)

Natalie Crohn Schmitt
pp. 172-174
DOI: https://doi.org/10.1353/cdr.1976.0000
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The Contemporary Spanish Theater (1949–1972) by Marion P. Holt (review)

George Woodyard
pp. 174-175
DOI: https://doi.org/10.1353/cdr.1976.0002
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Schiller’s Drama: Talent and Integrity by Ilse Graham (review)

Liselotte Dieckmann
pp. 175-178
DOI: https://doi.org/10.1353/cdr.1976.0004
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The Marlovian World Picture by W. L. Godshalk (review)

William M. Jones
pp. 179-180
DOI: https://doi.org/10.1353/cdr.1976.0006
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Off-Stage Voices: Interviews with Modern French Dramatists by Bettina Knapp, and: The Contemporary French Theater ed. by Bettina Knapp, and: Céline: Man of Hate by Bettina Knapp (review)

Marilyn Gaddis Rose
pp. 180-181
DOI: https://doi.org/10.1353/cdr.1976.0008
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Comedy: The Irrational Vision by Morton Gurewitch (review)

Edward L. Galligan
pp. 181-184
DOI: https://doi.org/10.1353/cdr.1976.0010
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Contributors

DOI: https://doi.org/10.1353/cdr.1976.0001
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