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Table of Contents

  1. Brecht’s Alienated Actor in Beckett’s Theater
  2. Enoch Brater
  3. pp. 195-205
  4. DOI: https://doi.org/10.1353/cdr.1975.0005
  5. restricted access
  1. If Looks Could Kill: Fathers and Sons in The Revenger’s Tragedy
  2. Stephen Wigler
  3. pp. 206-225
  4. DOI: https://doi.org/10.1353/cdr.1975.0007
  5. restricted access
  1. The Antichrist Ubu
  2. James H. Bierman
  3. pp. 226-247
  4. DOI: https://doi.org/10.1353/cdr.1975.0009
  5. restricted access
  1. Liliane Atlan’s The Messiahs As Cosmic Theatre
  2. Bettina Knapp
  3. pp. 248-263
  4. DOI: https://doi.org/10.1353/cdr.1975.0000
  5. restricted access
  1. Citizen Comedy in the Age of Shakespeare by Alexander Leggatt (review)
  2. Larry S. Champion
  3. pp. 264-266
  4. DOI: https://doi.org/10.1353/cdr.1975.0001
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  1. The Theatre in Search of a Fix by Robert W. Corrigan (review)
  2. James Coakley
  3. pp. 266-269
  4. DOI: https://doi.org/10.1353/cdr.1975.0002
  5. restricted access
  1. Traditions of Medieval English Drama by Stanley J. Kahrl, and: Records of Plays and Players in Lincolnshire, 1300–1585. Malone Society, Collections, Vol. 8 ed. by Stanley J. Kahrl (review)
  2. Clifford Davidson
  3. pp. 269-272
  4. DOI: https://doi.org/10.1353/cdr.1975.0004
  5. restricted access
  1. Pirandello’s Theater: The Recovery of the Modern Stage for Dramatic Art by Anne Paolucci (review)
  2. Marvin Felheim
  3. pp. 272-274
  4. DOI: https://doi.org/10.1353/cdr.1975.0006
  5. restricted access
  1. Corneille and Racine: Problems of Tragic Form by Gordon Pocock (review)
  2. Philip Butler
  3. pp. 275-278
  4. DOI: https://doi.org/10.1353/cdr.1975.0008
  5. restricted access
  1. Seneca ed. by C. D. N. Costa (review)
  2. Charles Witke
  3. pp. 278-280
  4. DOI: https://doi.org/10.1353/cdr.1975.0010
  5. restricted access
  1. Contributors
  3. DOI: https://doi.org/10.1353/cdr.1975.0003
  4. restricted access