1. Not Shakespeare: Early Modern Drama and Film
  2. Jenny Sager
  3. pp. 1-10
  4. DOI: 10.1353/shb.2014.0006
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  1. "You have no voice!": Constructing Reputation through Contemporaries in the Shakespeare Biopic
  2. Peter Kirwan
  3. pp. 11-26
  4. DOI: 10.1353/shb.2014.0009
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  1. Genres: Cinematic and Early Modern
  2. Emma Smith
  3. pp. 27-43
  4. DOI: 10.1353/shb.2014.0012
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  1. "Turn off the dark": A Tale of Two Shakespeares in Julie Taymor's Tempest
  2. Courtney Lehmann
  3. pp. 45-64
  4. DOI: 10.1353/shb.2014.0015
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  1. Staging and Filming John Bale's Three Laws
  2. Elisabeth Dutton, Maria Sachiko Cecire, James McBain
  3. pp. 65-84
  4. DOI: 10.1353/shb.2014.0001
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  1. What's in an Ending?: Shakespeare on Stage in 2013
  2. Alan C. Dessen
  3. pp. 85-96
  4. DOI: 10.1353/shb.2014.0003
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  1. Seattle Shakespeare Company 2012-13 Season
  2. Michael W. Shurgot
  3. pp. 97-109
  4. DOI: 10.1353/shb.2014.0005
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  1. Othello dir. by Nicholas Hytner (review)
  2. Michael J. Collins
  3. pp. 111-115
  4. DOI: 10.1353/shb.2014.0008
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  1. A Midsummer Night's Dream dir. by Ian Talbot (review)
  2. Melissa Croteau
  3. pp. 116-122
  4. DOI: 10.1353/shb.2014.0011
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  1. Measure for Measure dir. by J. Clark Nicholson and Fontaine Syer (review)
  2. Justin B. Hopkins
  3. pp. 122-130
  4. DOI: 10.1353/shb.2014.0014
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  1. The Massacre at Paris dir. by Jeremy L. West (review)
  2. Georgina Lucas
  3. pp. 130-133
  4. DOI: 10.1353/shb.2014.0000
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  1. Pericles, Prince of Tyre dir. by Julia Rodriguez-Elliott (review)
  2. John Miller
  3. pp. 133-139
  4. DOI: 10.1353/shb.2014.0002
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  1. Measure for Measure dir. by Brian Isaac Phillips (review)
  2. Bethany Packard
  3. pp. 139-145
  4. DOI: 10.1353/shb.2014.0004
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  1. A Mad World My Masters dir. by Sean Foley (review)
  2. José A. Pérez Díez
  3. pp. 146-149
  4. DOI: 10.1353/shb.2014.0007
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  1. Living with Shakespeare ed. by Susannah Carson (review)
  2. Justin B. Hopkins
  3. pp. 151-154
  4. DOI: 10.1353/shb.2014.0010
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