In this Issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
published by
University of Illinois Pressviewing issue
Volume 31, Number 4, Winter 2013Table of Contents

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View “Vindication, Cleansing, Catharsis, Hope”: Interracial Reconciliation and the Dilemmas of Multiculturalism in Kay and Dorr’s Jubilee (1976)
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View “Persuasive Americanism”?: The Reactionary Promotion and Reception of Warner Bros.’ The Music Man (1962)
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View Alan Lomax, Assistant in Charge: The Library of Congress Letters, 1935–1945 ed. by Ronald D. Cohen (review)
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View Sound Diplomacy: Music and Emotions in Transatlantic Relations, 1850–1920 by Jessica C. E. Gienow-Hecht (review)
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View Sounds American: National Identity and the Music Cultures of the Lower Mississippi River Valley, 1800–1860 by Ann Ostendorf (review)
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View Music Learning through Video Games and Apps: Guitar Hero, Rock Band, Amplitude, Frequency, and Rocksmith, and Bandfuse , and Bit.Trip Complete, and Audiosurf, and Beat Hazard, and Biophilia (review)
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Download Music Learning through Video Games and Apps: Guitar Hero, Rock Band, Amplitude, Frequency, and Rocksmith, and Bandfuse , and Bit.Trip Complete, and Audiosurf, and Beat Hazard, and Biophilia (review)
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ISSN | 1945-2349 |
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Print ISSN | 0734-4392 |
Launched on MUSE | 2014-03-28 |
Open Access | No |