In this Issue

Table of Contents

Playing Together! How the New York Writers’ Bloc Created Camaraderie, Community, and Great Stories

John Patrick Bray
pp. 1-10
DOI: https://doi.org/10.1353/tt.2014.0008
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The Reconstructed Dramaturg

William Casey Caldwell, Amy Kenny
pp. 11-23
DOI: https://doi.org/10.1353/tt.2014.0010
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The Staged Business of Artists in Public Practice: Writing for/about Art

Paul Bonin-Rodriguez
pp. 25-37
DOI: https://doi.org/10.1353/tt.2014.0000
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The Odyssey Project: A Martial Arts Journey Toward Recovery and Liberation

Zachary Price
pp. 39-50
DOI: https://doi.org/10.1353/tt.2014.0002
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Echoes of Performance: Writing and the Play of Pedagogy

Megan L. Shea
pp. 51-62
DOI: https://doi.org/10.1353/tt.2014.0004
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Staging Social Justice: Collaborating to Create Activist Theatre Edited by Norma Bowles and Daniel-Raymond Nadon (review)

Kelly Howe
pp. 63-64
DOI: https://doi.org/10.1353/tt.2014.0001
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Theatre in Co-Communities: Articulating Power by Shulamith Lev-Aladgem (review)

Elliot Leffler
pp. 64-65
DOI: https://doi.org/10.1353/tt.2014.0003
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The Audience Experience: A Critical Analysis of Audiences in the Performing Arts Edited by Jennifer Radbourne, Hilary Glow, and Katya Johanson (review)

Cason Murphy
pp. 65-66
DOI: https://doi.org/10.1353/tt.2014.0005
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French Theatre Today: The View from New York, Paris, and Avignon by Edward Baron Turk (review)

Matthew McMahan
pp. 66-67
DOI: https://doi.org/10.1353/tt.2014.0007
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Clown by Jon Davison (review)

Dave Peterson
pp. 67-68
DOI: https://doi.org/10.1353/tt.2014.0009
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Keith Johnstone: A Critical Biography by Theresa Robbins Dudeck (review)

Rob Yoho
pp. 68-69
DOI: https://doi.org/10.1353/tt.2014.0011
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A Note from the Editor

D.J. Hopkins
pp. vii-viii
DOI: https://doi.org/10.1353/tt.2014.0006
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