1. Tragedy and Theatricality in The Island
  2. Christian Dahl
  3. pp. 1-18
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  1. The Haunted Stage of Summer and Smoke: Tennessee Williams’s Forgotten Silent Film Sequences
  2. Sophie Maruéjouls-Koch
  3. pp. 19-40
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  1. Mac Wellman’s Antigone: The Hegelian Theme
  2. Michael Shaw
  3. pp. 41-64
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  1. From Laundries to Labour Camps: Staging Ireland’s “Rule of Silence” in Anu Productions’ Laundry
  2. Miriam Haughton
  3. pp. 65-93
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  1. The Philippine Komedya and the Recuperation of the Cosmopolitan: From Colonial Legacy to Cross-Cultural Encounter
  2. Sir Anril P. Tiatco
  3. pp. 94-121
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  1. Lives in Play: Autobiography and Biography on the Feminist Stage by Ryan Claycomb (review)
  2. Lisa Sloan
  3. pp. 122-124
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  1. Theatres of Immanence: Deleuze and the Ethics of Performance by Laura Cull (review)
  2. Liza Kharoubi
  3. pp. 124-126
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  1. Bernard Shaw: Slaves of Duty and Tricks of the Governing Class by Bernard F. Dukore (review)
  2. Matthew Yde
  3. pp. 126-128
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  1. Archaeologies of Presence ed. by Gabriella Giannachi, Nick Kaye, Michael Shanks (review)
  2. Andrés Pérez-Simón
  3. pp. 128-131
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  1. Shaw and Feminisms: On Stage and Off ed. by D.A. Hadfield, Jean Reynolds (review)
  2. J. Ellen Gainor
  3. pp. 131-133
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  1. Neoliberalism and Global Theatres: Performance Permutations ed. by Lara D. Nielsen, Patricia Ybarra (review)
  2. Joseph Cermatori
  3. pp. 133-136
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  1. Interrogating Antigone in Postmodern Philosophy and Criticism ed. by S.E. Wilmer, Audronė Žukausaitė (review)
  2. Brenda Donohue
  3. pp. 138-141
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