In this Issue
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
published by
University of Illinois Pressviewing issue
Volume 31, Number 3, Fall 2013Editorial Board
Editor
Neil Lerner
Book Review Editor
David Patterson
Recording Review Editor
Mark Perry
Multimedia, Concert, and Event Review Editor
Ivan Raykoff
Editorial Advisory Board:
Arved Ashby, Ohio State University; J. Peter Burkholder, Indiana University; Theo Cateforis, Syracuse University; James Deaville, Carleton University; Sabine Feisst, Arizona State University; David Garcia, University of North Carolina-Chapel Hill; Jeremy Grimshaw, Brigham Young University; Amy Herzog, Queens College, CUNY; Nadine Hubbs, University of Michigan; Robin D. G. Kelley, University of Southern California; Paul Laird, University of Kansas; George Lipsitz, University of California-Santa Barbara; Martin Marks, Massachusetts Institute of Technology; bruce d. mcclung, University of Cincinnati; Judith McCulloh, Urbana, Illinois; Dan Morgenstern, Rutgers University; Bruno Nettl, University of Illinois; Tricia Rose, Brown University; David Schiff, Reed College; Joseph Straus, Graduate Center, CUNY