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Table of Contents

  1. Why I Write
  2. Natasha Trethewey
  3. pp. 1-16
  4. DOI: https://doi.org/10.1353/scr.2014.0000
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  1. The Duality of Seeing “Darkly”: Analyzing Bergman’s Karin in Through a Glass Darkly
  2. Christina Boyles
  3. pp. 17-33
  4. DOI: https://doi.org/10.1353/scr.2014.0002
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  1. In the Absence of the Archive (Paris, October 17, 1961)
  2. Lia Brozgal
  3. pp. 34-54
  4. DOI: https://doi.org/10.1353/scr.2014.0004
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  1. The Magical Real and the Rural Modern in Cinema Novo: Vidas Secas and Black God, White Devil
  2. Benjamin Child
  3. pp. 55-73
  4. DOI: https://doi.org/10.1353/scr.2014.0005
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  1. “Lost in the Haze”: Joseph Conrad, the Ruined Maid, and the Male Gaze
  2. David Mulry
  3. pp. 74-98
  4. DOI: https://doi.org/10.1353/scr.2014.0006
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  1. Cadela Carioca: Bishop’s “Pink Dog” in its Brasilian Cultural Context
  2. Elizabeth Neely
  3. pp. 99-113
  4. DOI: https://doi.org/10.1353/scr.2014.0007
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  1. The Resistance Syndrome: Alain Badiou on Samuel Beckett
  2. Barbara Will
  3. pp. 114-129
  4. DOI: https://doi.org/10.1353/scr.2014.0009
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  1. Judgment, Cataclysm, and Resistance in the Regional Imaginary by Anthony Dyer Hoefer (review)
  2. Michael Pitts
  3. pp. 130-132
  4. DOI: https://doi.org/10.1353/scr.2014.0001
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  1. Guest Editorial Headnote
  2. Julie A. Chappell
  3. pp. vi-vii
  4. DOI: https://doi.org/10.1353/scr.2014.0008
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  1. Notes on Contributors
  2. pp. 133-134
  3. DOI: https://doi.org/10.1353/scr.2014.0003
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