In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 35, Number 1, 2014Table of Contents
pp. 1-3
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View The Big Show: A Reimagination of Eugene O’Neill’s Thirst Through the Life Story of Frances Farmer directed and choreographed by Charlie Sutton (review)
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The Big Show: A Reimagination of Eugene O’Neill’s Thirst Through the Life Story of Frances Farmer directed and choreographed by Charlie Sutton (review)
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pp. 1-14
pp. 15-40
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View The Texts of O’Neill’s Beyond the Horizon: Ruth Mayo, Agnes Boulton, and the Women of Provincetown
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The Texts of O’Neill’s Beyond the Horizon: Ruth Mayo, Agnes Boulton, and the Women of Provincetown
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pp. 41-60
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View Mary Tyrone’s Crisis of Agency: Long Day’s Journey Into Night, Ordinary Language, and the Tragic Humanism of American Drama
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Mary Tyrone’s Crisis of Agency: Long Day’s Journey Into Night, Ordinary Language, and the Tragic Humanism of American Drama
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pp. 61-78
pp. 107-110
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View Intertextuality In American Drama: Critical Essays On Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller And Other Playwrights edited by Drew Eisenhauer and Brenda Murphy (review)
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Intertextuality In American Drama: Critical Essays On Eugene O’Neill, Susan Glaspell, Thornton Wilder, Arthur Miller And Other Playwrights edited by Drew Eisenhauer and Brenda Murphy (review)
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pp. 118-121
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| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2014-03-10 |
| Open Access | No |
