1. “It Sounds Wonderful, Doesn’t It?”: Promises of Marriage in the Plays of Eugene O’Neill
  2. Beth Wynstra
  3. pp. 1-14
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  1. The Texts of O’Neill’s Beyond the Horizon: Ruth Mayo, Agnes Boulton, and the Women of Provincetown
  2. Alexander Pettit
  3. pp. 15-40
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  1. Mary Tyrone’s Crisis of Agency: Long Day’s Journey Into Night, Ordinary Language, and the Tragic Humanism of American Drama
  2. Patrick Maley
  3. pp. 41-60
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  1. Worshiping the Black Sun: Melancholy in Eugene O’Neill and Sarah Ruhl
  2. James Al-Shamma
  3. pp. 61-78
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  1. Thomas Wolfe and Eugene O’Neill: Intertextual Inferences
  2. Vivian Casper
  3. pp. 79-93
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  1. “Jimmy Tomorrow” Revisited: New Sources for The Iceman Cometh
  2. Robert M. Dowling
  3. pp. 94-102
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  1. Cecil Rhodes
  2. James F. Byth
  3. pp. 103-105
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  1. To-day’s the Time
  2. William Johnston
  3. pp. 105-106
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  1. Beside the Road
  2. Madison Cawein
  3. p. 106
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  1. Strange Interlude directed by Simon Godwin (review)
  2. Katie N. Johnson
  3. pp. 113-117
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  1. All God’s Chillun Got Wings directed by Godfrey L. Simmons, Jr. (review)
  2. Zander Brietzke
  3. pp. 118-121
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  1. The Hairy Ape directed by Wilder Nutting-Heath (review)
  2. Daniel Larner
  3. pp. 122-125
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  1. The Iceman Cometh directed by Ian Wolfgang Hinz (review)
  2. Patrick Chura
  3. pp. 126-129
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  1. Editor’s Foreword
  2. William Davies King
  3. pp. v-vi
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  1. Foreword
  2. J. Chris Westgate
  3. pp. 111-112
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  1. Notes On Contributors
  2. pp. 133-135
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