1. Plates
  2. DOI: 10.1353/lvn.2013.0029
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  1. From the Mast-Head
  2. John Bryant
  3. pp. 1-2
  4. DOI: 10.1353/lvn.2013.0024
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  1. The Whiteness, An Unreadable Book
  2. Claire Illouz
  3. pp. 6-15
  4. DOI: 10.1353/lvn.2013.0030
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  1. A Closer Reading
  2. Tony De Los Reyes
  3. pp. 16-26
  4. DOI: 10.1353/lvn.2013.0032
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  1. Franco Fortunato’s Mythic and Mystical Moby-Dick
  2. Elizabeth Schultz
  3. pp. 27-40
  4. DOI: 10.1353/lvn.2013.0034
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  1. From Ancient Rome to Modern Italy: Italian Art in Melville’s Print Collection
  2. Robert K. Wallace
  3. pp. 41-54
  4. DOI: 10.1353/lvn.2013.0036
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  1. Melville and the Trope of the Starving American Artist in Rome
  2. Erika Schneider
  3. pp. 55-65
  4. DOI: 10.1353/lvn.2013.0023
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  1. Melville’s “Statues in Rome,” Billy Budd, and the Death of Delight
  2. Wendy Stallard Flory
  3. pp. 66-80
  4. DOI: 10.1353/lvn.2013.0026
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  1. Hunting Moby Dick: Melville in the Global Context of the American Studies Classroom
  2. Martina Pfeiler
  3. pp. 81-89
  4. DOI: 10.1353/lvn.2013.0031
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  1. Pulp(y) Fiction: A Dylan Dog Adaptation of Moby-Dick
  2. Giorgio Mariani
  3. pp. 90-103
  4. DOI: 10.1353/lvn.2013.0033
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  1. In the Shadow of No Whales: Rewriting Moby-Dick in Samuel R. Delany’s Nova
  2. Salvatore Proietti
  3. pp. 104-116
  4. DOI: 10.1353/lvn.2013.0035
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  1. “Something Further May Follow”: Melville’s Legacy and Contemporary Adaptations of The Confidence-Man
  2. Paolo Simonetti
  3. pp. 117-130
  4. DOI: 10.1353/lvn.2013.0022
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  1. All Astir
  2. Samuel Otter
  3. pp. 132-137
  4. DOI: 10.1353/lvn.2013.0025
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  1. Abstracts: ALA 2013-Boston
  2. pp. 139-141
  3. DOI: 10.1353/lvn.2013.0028
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  1. Special Issue: On Artists and Adaptation Introduction
  2. John Bryant
  3. pp. 4-5
  4. DOI: 10.1353/lvn.2013.0027
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