1. Research-Creation: Methodological Issues
  2. Louise Poissant
  3. p. 2
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  1. Swarm Art
  2. Gary Greenfield, Penousal Machado
  3. pp. 5-7
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  1. Smart Art Gallery
  2. Tim Barrass, Alice Eldridge, Gary Greenfield, Christian Jacob, Penousal Machado, Nicolas Monmarché, Yann Semet, Durand Fredo, Una-May O’Reilly, Daniel Shiffman, Paulo Urbano
  3. pp. 8-16
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  1. Can Personal Meaning Be Derived from Science?
  2. Trudy Myrrh Reagan
  3. pp. 19-26
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  1. Zdeněk Sýkora and François Morellet: Parallels and Complementarity
  2. Jan Andres
  3. pp. 27-31
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  1. Color Plate Insert
  2. pp. 33-35
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  1. Sensing Nanotechnologies through the Arts: Seeing and Making on the Surface of Things
  2. Silvia Casini
  3. pp. 36-42
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  1. A Viewpoint on the Computing-Art Dialogue: The Classification of Interactive Digital Artworks
  2. Enrico Nardelli
  3. pp. 43-49
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  1. Open Source Architecture: An Exploration of Source Code and Access in Architectural Design
  2. Theodora Vardouli, Leah Buechley
  3. pp. 51-55
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  1. Systems and Automatisms: Jack Burnham, Stanley Cavell and the Evolution of a Neoliberal Aesthetic
  2. Charissa N. Terranova
  3. pp. 56-62
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  1. Science and Art of Sculpturing Fluids
  2. J.-M. Chomaz
  3. pp. 66-67
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  1. Walking Clouds and Augmented Reverie
  2. Nathalie Delprat
  3. pp. 68-69
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  1. Memory Vapor
  2. Dmitry Gelfand, Evelina Domnitch
  3. pp. 70-71
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  1. On the Modification of Man-Made Clouds: The Factory Cloud
  2. Helen Evans, Heiko Hansen
  3. pp. 72-73
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  1. Paparuda
  2. Monsieur Moo
  3. pp. 74-75
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  1. Anti-entropic Role of Art
  2. Ana Rewakowicz
  3. pp. 76-77
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  1. The Durance: Interlaced Waters: Art-Science Collaborations and Audiovisual Research
  2. Jacques Sapiega
  3. pp. 78-79
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  1. Around the Cusp Singularity and the Breaking of Waves
  2. J. Tejerina-Risso, P. Le Gal
  3. pp. 80-82
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  1. Visualizing the News: Mutant Barcodes and Geographies of Conflict
  2. Tom Corby
  3. pp. 84-85
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  1. Mimetic Inquiry: Ethnography, Creative Analysis, and Digital Tools
  2. John Fenn
  3. pp. 86-87
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  1. Appropriate Sound Effector for Electronic Music Prototyping
  2. Byungjoo Lee, Jaehyuck Bae, Hyunwoo Bang
  3. pp. 88-89
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  1. Alternative Ways of Seeing the Inner Body: An Arts-Led Approach to Visualising MRI Scan Data
  2. John McGhee, Nigel Johnson
  3. pp. 90-91
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  1. Lesabéndio: An Asteroid Novel by Paul Scheerbart (review)
  2. John F. Barber
  3. pp. 93-94
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  1. Philosophical essays: a critical edition—Fernando Pessoa edited by Nuno Ribeiro (review)
  2. Allan Graubard
  3. pp. 94-95
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  1. Wartime Kiss: Visions Of The Moment In The 1940s by Alexander Nemerov (review)
  2. Jan Baetens
  3. pp. 95-96
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  1. What Was Contemporary Art? by Richard Meyer (review)
  2. Giovanna L. Costantini
  3. pp. 96-98
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  1. Afterimage of Empire: Photography In Nineteenth-Century India by Zahid R. Chaudhary (review)
  2. Aparna Sharma
  3. pp. 98-99
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  1. Mute Poetry, Speaking Pictures by Leonard Barkan (review)
  2. Jan Baetens
  3. pp. 99-100
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  1. The Fourth Dimension and Non-Euclidean Geometry in Modern Art, Revised Edition by Linda Dalrymple Henderson (review)
  2. Rob Harle
  3. pp. 100-101
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  1. Beyond Contemporary Art by Etan Jonathan Ilfeld (review)
  2. Florence Martellini
  3. pp. 102-103
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  1. Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles by Erkki Huhtamo (review)
  2. Jan Baetens
  3. pp. 103-104
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  1. Leonardo Reviews On-Line
  2. p. 104
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  1. Leonardo Network News
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  1. Water is in the Air—: Introduction
  2. Roger F. Malina, Annick Bureaud
  3. p. 65
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  1. My Life by Isadora Duncan with an introduction by Joan Acocella (review)
  2. Allan Graubard
  3. pp. 101-102
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