1. “Wise Enough to Play the Fool”: Robert Armin and Shakespeare’s Sung Songs of Scripted Improvisation
  2. Catherine A. Henze
  3. pp. 419-449
  4. DOI: 10.1353/cdr.2013.0045
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  1. After Chekhov: The Three Sisters of Beth Henley, Wendy Wasserstein, Timberlake Wertenbaker, and Blake Morrison
  2. Verna A. Foster
  3. pp. 451-472
  4. DOI: 10.1353/cdr.2013.0048
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  1. “What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows
  2. Kristen Deiter
  3. pp. 473-503
  4. DOI: 10.1353/cdr.2013.0051
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  1. Double Exposures: On the Reciprocity of Influence between Tennessee Williams and Jean Cocteau
  2. Laura Michiels, Christophe Collard
  3. pp. 505-527
  4. DOI: 10.1353/cdr.2013.0054
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  1. “I Have Done the State Some Service”: Reading Slavery in Othello through Juan Latino
  2. Emily Weissbourd
  3. pp. 529-551
  4. DOI: 10.1353/cdr.2013.0057
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  1. Of Bondage: Debt, Property and Personhood in Early Modern England by Amanda Bailey (review)
  2. Lorna Hutson
  3. pp. 553-556
  4. DOI: 10.1353/cdr.2013.0042
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  1. Shakespeare and the Book Trade by Lukas Erne (review)
  2. Douglas Bruster
  3. pp. 557-559
  4. DOI: 10.1353/cdr.2013.0044
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  1. The Sentimental Theater of the French Revolution by Cecilia Feilla (review)
  2. Yann Robert
  3. pp. 560-563
  4. DOI: 10.1353/cdr.2013.0047
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  1. Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)
  2. Tessa C. Gurney
  3. pp. 563-565
  4. DOI: 10.1353/cdr.2013.0050
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  1. The Poetics of Piracy: Emulating Spain in English Literature by Barbara Fuchs (review)
  2. Hilaire Kallendorf
  3. pp. 566-568
  4. DOI: 10.1353/cdr.2013.0053
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  1. The Tears of Sovereignty: Perspectives of Power in Renaissance Drama by Philip Lorenz (review)
  2. Hilaire Kallendorf
  3. pp. 569-572
  4. DOI: 10.1353/cdr.2013.0056
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  1. Corpus Christi Plays at York: A Context for Religious Drama by Clifford Davidson (review)
  2. Hans-Jürgen Diller
  3. pp. 572-576
  4. DOI: 10.1353/cdr.2013.0041
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  1. The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance by James M. Harding (review)
  2. Jennifer Buckley
  3. pp. 576-579
  4. DOI: 10.1353/cdr.2013.0043
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  1. The Modern Art of Influence and the Spectacle of Oscar Wilde by S. I. Salamensky (review)
  2. Ellen Crowell
  3. pp. 579-582
  4. DOI: 10.1353/cdr.2013.0046
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  1. Mortal Thoughts: Religion, Secularity, and Identity in Early Modern Culture by Brian Cummings (review)
  2. Christopher Kendrick
  3. pp. 585-588
  4. DOI: 10.1353/cdr.2013.0052
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  1. Brief Notices
  2. pp. 589-595
  3. DOI: 10.1353/cdr.2013.0055
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  1. Contributors
  2. pp. 597-599
  3. DOI: 10.1353/cdr.2013.0058
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