In this Issue

Table of Contents

“Wise Enough to Play the Fool”: Robert Armin and Shakespeare’s Sung Songs of Scripted Improvisation

Catherine A. Henze
pp. 419-449
DOI: https://doi.org/10.1353/cdr.2013.0045
restricted access

After Chekhov: The Three Sisters of Beth Henley, Wendy Wasserstein, Timberlake Wertenbaker, and Blake Morrison

Verna A. Foster
pp. 451-472
DOI: https://doi.org/10.1353/cdr.2013.0048
restricted access

“What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows

Kristen Deiter
pp. 473-503
DOI: https://doi.org/10.1353/cdr.2013.0051
restricted access

Double Exposures: On the Reciprocity of Influence between Tennessee Williams and Jean Cocteau

Laura Michiels, Christophe Collard
pp. 505-527
DOI: https://doi.org/10.1353/cdr.2013.0054
restricted access

“I Have Done the State Some Service”: Reading Slavery in Othello through Juan Latino

Emily Weissbourd
pp. 529-551
DOI: https://doi.org/10.1353/cdr.2013.0057
restricted access

Of Bondage: Debt, Property and Personhood in Early Modern England by Amanda Bailey (review)

Lorna Hutson
pp. 553-556
DOI: https://doi.org/10.1353/cdr.2013.0042
restricted access

Shakespeare and the Book Trade by Lukas Erne (review)

Douglas Bruster
pp. 557-559
DOI: https://doi.org/10.1353/cdr.2013.0044
restricted access

The Sentimental Theater of the French Revolution by Cecilia Feilla (review)

Yann Robert
pp. 560-563
DOI: https://doi.org/10.1353/cdr.2013.0047
restricted access

Metatheater and Modernity: Baroque and Neobaroque by Mary Ann Frese Witt (review)

Tessa C. Gurney
pp. 563-565
DOI: https://doi.org/10.1353/cdr.2013.0050
restricted access

The Poetics of Piracy: Emulating Spain in English Literature by Barbara Fuchs (review)

Hilaire Kallendorf
pp. 566-568
DOI: https://doi.org/10.1353/cdr.2013.0053
restricted access

The Tears of Sovereignty: Perspectives of Power in Renaissance Drama by Philip Lorenz (review)

Hilaire Kallendorf
pp. 569-572
DOI: https://doi.org/10.1353/cdr.2013.0056
restricted access

Corpus Christi Plays at York: A Context for Religious Drama by Clifford Davidson (review)

Hans-Jürgen Diller
pp. 572-576
DOI: https://doi.org/10.1353/cdr.2013.0041
restricted access

The Ghosts of the Avant-Garde(s): Exorcising Experimental Theater and Performance by James M. Harding (review)

Jennifer Buckley
pp. 576-579
DOI: https://doi.org/10.1353/cdr.2013.0043
restricted access

The Modern Art of Influence and the Spectacle of Oscar Wilde by S. I. Salamensky (review)

Ellen Crowell
pp. 579-582
DOI: https://doi.org/10.1353/cdr.2013.0046
restricted access

Acting Together: Performance and the Creative Transformation of Conflict. Volume I: Resistance and Reconciliation in Regions of Violence. and Volume II: Building Just and Inclusive Communities ed. by Cynthia E. Cohen, Roberto Gutiérrez Varea, and Polly O. Walker (review)

Kelly Howe
pp. 582-585
DOI: https://doi.org/10.1353/cdr.2013.0049
restricted access

Mortal Thoughts: Religion, Secularity, and Identity in Early Modern Culture by Brian Cummings (review)

Christopher Kendrick
pp. 585-588
DOI: https://doi.org/10.1353/cdr.2013.0052
restricted access

Brief Notices

pp. 589-595
DOI: https://doi.org/10.1353/cdr.2013.0055
restricted access

Contributors

pp. 597-599
DOI: https://doi.org/10.1353/cdr.2013.0058
restricted access