1. Comfort, the Acceptable Face of Luxury: An Eighteenth-Century Cultural Etymology
  2. Marie Odile-Bernez
  3. pp. 3-21
  4. DOI: 10.1353/jem.2014.0015
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  1. The Legal Fiction and Epistolary Form: Frances Burney’s Evelina
  2. Peter DeGabriele
  3. pp. 22-40
  4. DOI: 10.1353/jem.2014.0017
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  1. Richardson’s Pamela, Defoe’s Roxana, and Emulation Anxiety in Eighteenth-Century Britain
  2. Kristina Booker
  3. pp. 42-62
  4. DOI: 10.1353/jem.2014.0019
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  1. Keep Bleeding: Hemorrhagic Sores, Trade, and the Necessity of Leaky Boundaries in Defoe’s Journal of the Plague Year
  2. Kari Nixon
  3. pp. 62-81
  4. DOI: 10.1353/jem.2014.0021
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  1. URLy Nouveau: A User’s Guide to Transfashioning the Early Modern
  2. Adam Bryx, Bryan Reynolds
  3. pp. 82-87
  4. DOI: 10.1353/jem.2014.0023
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  1. The Finite Renaissance
  2. Margreta De Grazia
  3. pp. 88-93
  4. DOI: 10.1353/jem.2014.0024
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  1. Linguistics, Lexicography, and the “Early Modern”
  2. Hannah Crawforth
  3. pp. 94-99
  4. DOI: 10.1353/jem.2014.0026
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  1. Early Modern as Brand Name
  2. Fran Teague
  3. pp. 100-102
  4. DOI: 10.1353/jem.2014.0016
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  1. Women as Translators in Early Modern England by Deborah Uman (review)
  2. Judith Bailey Slagle
  3. pp. 104-109
  4. DOI: 10.1353/jem.2014.0018
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  1. Curiosity: How Science Became Interested in Everything by Philip Ball (review)
  2. Jacob Stegenga
  3. pp. 108-112
  4. DOI: 10.1353/jem.2014.0020
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  1. Introduction
  2. Bruce Boehrer
  3. pp. 1-2
  4. DOI: 10.1353/jem.2014.0025
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  1. Notes on Contributors
  2. pp. 113-116
  3. DOI: 10.1353/jem.2014.0022
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