1. Editorial Note
  2. p. 4
  3. DOI: 10.1353/dtc.2013.0027
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  1. The Farceur as Modernist: Fernand Crommelynck, The Magnanimous Cuckold, and Twentieth-Century Western Drama
  2. Bert Cardullo
  3. pp. 23-34
  4. DOI: 10.1353/dtc.2013.0033
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  1. Acting
  2. James R. Hamilton
  3. pp. 35-59
  4. DOI: 10.1353/dtc.2013.0020
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  1. Dreamwrighting: The Oneiric in the Plays of Adrienne Kennedy and Eugène Ionesco
  2. David A. Crespy
  3. pp. 61-80
  4. DOI: 10.1353/dtc.2013.0022
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  1. Demands of the Dead: Executions, Storytelling, and Activism in the United States ed. by Katy Ryan (review)
  2. John Fletcher
  3. pp. 85-87
  4. DOI: 10.1353/dtc.2013.0026
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  1. Baggy Pants Comedy: Burlesque and the Oral Tradition by Andrew Davis (review)
  2. Susan Kattwinkel
  3. pp. 87-89
  4. DOI: 10.1353/dtc.2013.0029
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  1. Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter by Michael Y. Bennett (review)
  2. AJ Knox
  3. pp. 89-91
  4. DOI: 10.1353/dtc.2013.0032
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  1. Theater Outside Athens: Drama in Greek Sicily and South Italy ed. by Kathryn Bosher (review)
  2. Charles Poole
  3. pp. 95-97
  4. DOI: 10.1353/dtc.2013.0021
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  1. Uncle Tom’s Cabin on the American Stage and Screen by John W. Frick (review)
  2. Kate Roark
  3. pp. 97-99
  4. DOI: 10.1353/dtc.2013.0023
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  1. Speaking about Torture ed. by Julie A. Carlson and Elisabeth Weber (review)
  2. Aaron C. Thomas
  3. pp. 102-104
  4. DOI: 10.1353/dtc.2013.0028
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  1. Books Received
  2. pp. 105-112
  3. DOI: 10.1353/dtc.2013.0031
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