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In this Issue

Table of Contents

  1. Reconstructing Samuel Barber’s Christmas Cantata Christmas Eve: A Trio with Solos, Op. XIII
  2. Iain Quinn
  3. pp. 375-397
  4. DOI: https://doi.org/10.1353/not.2014.0011
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  1. Photoplay Music From the Mirskey Collection at the University of Pittsburgh
  2. Carlos E. Peña
  3. pp. 398-412
  4. DOI: https://doi.org/10.1353/not.2014.0018
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  1. Denkmäler der Tonkunst in Österreich (DTÖ): History and Editorial Program
  2. Martin Eybl
  3. pp. 413-420
  4. DOI: https://doi.org/10.1353/not.2014.0024
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  1. Notes for Notes
  3. pp. 421-422
  4. DOI: https://doi.org/10.1353/not.2014.0030
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Book Reviews

Drama

  1. Bewitching Russian Opera: The Tsarina from State to Stage by Inna Naroditskaya (review)
  2. Richard Taruskin
  3. pp. 423-426
  4. DOI: https://doi.org/10.1353/not.2014.0036
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  1. The Birth of an Opera: Fifteen Masterpieces from Poppea to Wozzeck by Michael Rose (review)
  2. George Kennaway
  3. pp. 427-429
  4. DOI: https://doi.org/10.1353/not.2014.0002
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  1. Noah im kalten Krieg: Igor Strawinsky’s Musical Play “The Flood.” by Hannah Dübgen (review)
  2. Emily Richmond Pollock
  3. pp. 429-431
  4. DOI: https://doi.org/10.1353/not.2014.0008
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  1. Camille Saint-Saëns, 1835–1921: A Thematic Catalogue of His Complete Works, Volume II: The Dramatic Works by Sabina Teller Ratner (review)
  2. James William Sobaskie
  3. pp. 431-433
  4. DOI: https://doi.org/10.1353/not.2014.0015
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Church Music

  1. Music and Theology in Nineteenth-Century Britain ed. by Martin V. Clarke (review)
  2. Julian Onderdonk
  3. pp. 433-436
  4. DOI: https://doi.org/10.1353/not.2014.0022
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  1. Die Lieder des Evangelischen Gesangbuchs, Band. 1: Kirchenjahr und Gottesdienst (EG 1-269). Kommentar zu Entstehung, Text und Musik by Karl Christian Thust (review)
  2. Mark A. Peters
  3. pp. 436-438
  4. DOI: https://doi.org/10.1353/not.2014.0028
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Instruments and Performance

  1. Pierre Cochereau: Organist of Notre-Dame by Anthony Hammond (review)
  2. Christina Linklater
  3. pp. 438-440
  4. DOI: https://doi.org/10.1353/not.2014.0034
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  1. The Violin: A Social History of the World’s Most Versatile Instrument by David Schoenbaum (review)
  2. Kirstin Dougan
  3. pp. 440-442
  4. DOI: https://doi.org/10.1353/not.2014.0000
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  1. Trumpets and other High Brass, Volume 1: A History Inspired by the Joe R. and Joella F. Utley Collection: Instruments of the Single Harmonic Series by Sabine Katharina Klaus (review)
  2. Marty Jenkins
  3. pp. 442-444
  4. DOI: https://doi.org/10.1353/not.2014.0006
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  1. Making Musicians: A Personal History of the Britten-Pears School by Moira Bennett (review)
  2. Shersten Johnson
  3. pp. 444-446
  4. DOI: https://doi.org/10.1353/not.2014.0013
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  1. I Drum, Therefore I Am: Being and Becoming a Drummer by Gareth Dylan Smith (review)
  2. Mandy Smith
  3. pp. 446-448
  4. DOI: https://doi.org/10.1353/not.2014.0020
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Pioneers

  1. Pionier der alten Musik: Hans Eberhard Hoesch und die Kabeler Kammermusik by Nikolaus de Palézieux (review)
  2. Abby Anderton
  3. pp. 448-450
  4. DOI: https://doi.org/10.1353/not.2014.0026
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  1. Cage & Consequences ed. by Julia H. Schröder and Volker Straebel (review)
  2. Clemens Gresser
  3. pp. 450-452
  4. DOI: https://doi.org/10.1353/not.2014.0032
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Ethnomusicology

  1. Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty (review)
  2. Travis D. Stimeling
  3. pp. 452-455
  4. DOI: https://doi.org/10.1353/not.2014.0038
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  1. Afro-Cuban Music: A Bibliographic Guide by John Gray (review)
  2. Nolan Warden
  3. pp. 455-457
  4. DOI: https://doi.org/10.1353/not.2014.0004
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Haydn and Mozart

  1. Engaging Haydn: Culture, Context, and Criticism ed. by Mary Hunter and Richard Will (review)
  2. Balázs Mikusi
  3. pp. 457-460
  4. DOI: https://doi.org/10.1353/not.2014.0010
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  1. The Orchestral Revolution: Haydn and the Technologies of Timbre by Emily I. Dolan (review)
  2. Paul Christiansen
  3. pp. 460-462
  4. DOI: https://doi.org/10.1353/not.2014.0017
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  1. Mozart-Jahrbuch 2011 ed. by Ulrich Leisinger and Johanna Senigl (review)
  2. Lisa de Alwis
  3. pp. 462-465
  4. DOI: https://doi.org/10.1353/not.2014.0023
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Nineteenth Century

  1. François-Joseph Fétis: Musicographe by Rémy Campos (review)
  2. Peter Bloom
  3. pp. 465-468
  4. DOI: https://doi.org/10.1353/not.2014.0029
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  1. Expressive Intersections in Brahms: Essays in Analysis and Meaning ed. by Heather Platt and Peter H. Smith (review)
  2. Melissa Hoag
  3. pp. 468-471
  4. DOI: https://doi.org/10.1353/not.2014.0035
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  1. The Collected Writings of Franz Liszt, vol. 2: Essays and Letters of a Traveling Bachelor of Music ed. and trans. by Janita R. Hall-Swadley (review)
  2. Reeves Shulstad
  3. pp. 471-472
  4. DOI: https://doi.org/10.1353/not.2014.0001
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Twentieth Century

  1. “I am not a hero, I am a composer”: Hanns Eisler in Hollywood by Horst Weber (review)
  2. Andrea F. Bohlman
  3. pp. 473-475
  4. DOI: https://doi.org/10.1353/not.2014.0007
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  1. Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and Paul Hindemith by Magnar Breivik (review)
  2. Michael J. Duffy IV
  3. pp. 475-477
  4. DOI: https://doi.org/10.1353/not.2014.0014
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  1. The Great Orchestrator: Arthur Judson and American Arts Management by James M. Doering (review)
  2. Michael Mauskapf
  3. pp. 477-480
  4. DOI: https://doi.org/10.1353/not.2014.0021
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 481-494
  4. DOI: https://doi.org/10.1353/not.2014.0027
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  1. New Periodicals
  2. Jared Cowing
  3. pp. 495-498
  4. DOI: https://doi.org/10.1353/not.2014.0033
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Digital Media Reviews

  1. SoundCloud (review)
  2. Francesca Giannetti
  3. pp. 499-503
  4. DOI: https://doi.org/10.1353/not.2014.0039
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  1. ShareStream (review)
  2. Lisa Hooper
  3. pp. 503-506
  4. DOI: https://doi.org/10.1353/not.2014.0005
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Video Reviews

  1. Mahler on DVD: An Overview of Art Films, Documentaries, and Concert Videos
  2. James L. Zychowicz
  3. pp. 507-521
  4. DOI: https://doi.org/10.1353/not.2014.0012
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Music Reviews

  1. Arrangements by Clara Schumann
  2. Valerie Woodring Goertzen
  3. pp. 522-525
  4. DOI: https://doi.org/10.1353/not.2014.0019
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  1. Lalo’s Fiesque
  2. Jacek Blaszkiewicz
  3. pp. 525-529
  4. DOI: https://doi.org/10.1353/not.2014.0025
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  1. Transcriptions of Early Recorded Jazz
  2. Barry Kernfeld
  3. pp. 529-533
  4. DOI: https://doi.org/10.1353/not.2014.0031
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  1. Two Versions of Janáček’s Glagolitic Mass
  2. John Tyrrell
  3. pp. 534-538
  4. DOI: https://doi.org/10.1353/not.2014.0037
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  1. Maderna’s Requiem Recovered
  2. Claudia di Luzio
  3. pp. 538-541
  4. DOI: https://doi.org/10.1353/not.2014.0003
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  1. Music Received
  2. David Knapp
  3. pp. 542-549
  4. DOI: https://doi.org/10.1353/not.2014.0009
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  1. Index to Advertisers
  3. p. 550
  4. DOI: https://doi.org/10.1353/not.2014.0016
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