In this Issue

Table of Contents

Reconstructing Samuel Barber’s Christmas Cantata Christmas Eve: A Trio with Solos, Op. XIII

Iain Quinn
pp. 375-397
DOI: https://doi.org/10.1353/not.2014.0011
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Photoplay Music From the Mirskey Collection at the University of Pittsburgh

Carlos E. Peña
pp. 398-412
DOI: https://doi.org/10.1353/not.2014.0018
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Denkmäler der Tonkunst in Österreich (DTÖ): History and Editorial Program

Martin Eybl
pp. 413-420
DOI: https://doi.org/10.1353/not.2014.0024
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Notes for Notes

pp. 421-422
DOI: https://doi.org/10.1353/not.2014.0030
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Bewitching Russian Opera: The Tsarina from State to Stage by Inna Naroditskaya (review)

Richard Taruskin
pp. 423-426
DOI: https://doi.org/10.1353/not.2014.0036
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The Birth of an Opera: Fifteen Masterpieces from Poppea to Wozzeck by Michael Rose (review)

George Kennaway
pp. 427-429
DOI: https://doi.org/10.1353/not.2014.0002
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Noah im kalten Krieg: Igor Strawinsky’s Musical Play “The Flood.” by Hannah Dübgen (review)

Emily Richmond Pollock
pp. 429-431
DOI: https://doi.org/10.1353/not.2014.0008
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Camille Saint-Saëns, 1835–1921: A Thematic Catalogue of His Complete Works, Volume II: The Dramatic Works by Sabina Teller Ratner (review)

James William Sobaskie
pp. 431-433
DOI: https://doi.org/10.1353/not.2014.0015
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Music and Theology in Nineteenth-Century Britain ed. by Martin V. Clarke (review)

Julian Onderdonk
pp. 433-436
DOI: https://doi.org/10.1353/not.2014.0022
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Die Lieder des Evangelischen Gesangbuchs, Band. 1: Kirchenjahr und Gottesdienst (EG 1-269). Kommentar zu Entstehung, Text und Musik by Karl Christian Thust (review)

Mark A. Peters
pp. 436-438
DOI: https://doi.org/10.1353/not.2014.0028
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Pierre Cochereau: Organist of Notre-Dame by Anthony Hammond (review)

Christina Linklater
pp. 438-440
DOI: https://doi.org/10.1353/not.2014.0034
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The Violin: A Social History of the World’s Most Versatile Instrument by David Schoenbaum (review)

Kirstin Dougan
pp. 440-442
DOI: https://doi.org/10.1353/not.2014.0000
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Making Musicians: A Personal History of the Britten-Pears School by Moira Bennett (review)

Shersten Johnson
pp. 444-446
DOI: https://doi.org/10.1353/not.2014.0013
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I Drum, Therefore I Am: Being and Becoming a Drummer by Gareth Dylan Smith (review)

Mandy Smith
pp. 446-448
DOI: https://doi.org/10.1353/not.2014.0020
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Pionier der alten Musik: Hans Eberhard Hoesch und die Kabeler Kammermusik by Nikolaus de Palézieux (review)

Abby Anderton
pp. 448-450
DOI: https://doi.org/10.1353/not.2014.0026
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Cage & Consequences ed. by Julia H. Schröder and Volker Straebel (review)

Clemens Gresser
pp. 450-452
DOI: https://doi.org/10.1353/not.2014.0032
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Ecomusicology: Rock, Folk, and the Environment by Mark Pedelty (review)

Travis D. Stimeling
pp. 452-455
DOI: https://doi.org/10.1353/not.2014.0038
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Afro-Cuban Music: A Bibliographic Guide by John Gray (review)

Nolan Warden
pp. 455-457
DOI: https://doi.org/10.1353/not.2014.0004
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Engaging Haydn: Culture, Context, and Criticism ed. by Mary Hunter and Richard Will (review)

Balázs Mikusi
pp. 457-460
DOI: https://doi.org/10.1353/not.2014.0010
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The Orchestral Revolution: Haydn and the Technologies of Timbre by Emily I. Dolan (review)

Paul Christiansen
pp. 460-462
DOI: https://doi.org/10.1353/not.2014.0017
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Mozart-Jahrbuch 2011 ed. by Ulrich Leisinger and Johanna Senigl (review)

Lisa de Alwis
pp. 462-465
DOI: https://doi.org/10.1353/not.2014.0023
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François-Joseph Fétis: Musicographe by Rémy Campos (review)

Peter Bloom
pp. 465-468
DOI: https://doi.org/10.1353/not.2014.0029
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Expressive Intersections in Brahms: Essays in Analysis and Meaning ed. by Heather Platt and Peter H. Smith (review)

Melissa Hoag
pp. 468-471
DOI: https://doi.org/10.1353/not.2014.0035
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The Collected Writings of Franz Liszt, vol. 2: Essays and Letters of a Traveling Bachelor of Music ed. and trans. by Janita R. Hall-Swadley (review)

Reeves Shulstad
pp. 471-472
DOI: https://doi.org/10.1353/not.2014.0001
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“I am not a hero, I am a composer”: Hanns Eisler in Hollywood by Horst Weber (review)

Andrea F. Bohlman
pp. 473-475
DOI: https://doi.org/10.1353/not.2014.0007
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Musical Functionalism: The Musical Thoughts of Arnold Schoenberg and Paul Hindemith by Magnar Breivik (review)

Michael J. Duffy IV
pp. 475-477
DOI: https://doi.org/10.1353/not.2014.0014
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The Great Orchestrator: Arthur Judson and American Arts Management by James M. Doering (review)

Michael Mauskapf
pp. 477-480
DOI: https://doi.org/10.1353/not.2014.0021
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Books Recently Published

James Procell, Matt Ertz
pp. 481-494
DOI: https://doi.org/10.1353/not.2014.0027
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New Periodicals

Jared Cowing
pp. 495-498
DOI: https://doi.org/10.1353/not.2014.0033
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SoundCloud (review)

Francesca Giannetti
pp. 499-503
DOI: https://doi.org/10.1353/not.2014.0039
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ShareStream (review)

Lisa Hooper
pp. 503-506
DOI: https://doi.org/10.1353/not.2014.0005
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Mahler on DVD: An Overview of Art Films, Documentaries, and Concert Videos

James L. Zychowicz
pp. 507-521
DOI: https://doi.org/10.1353/not.2014.0012
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Arrangements by Clara Schumann

Valerie Woodring Goertzen
pp. 522-525
DOI: https://doi.org/10.1353/not.2014.0019
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Lalo’s Fiesque

Jacek Blaszkiewicz
pp. 525-529
DOI: https://doi.org/10.1353/not.2014.0025
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Transcriptions of Early Recorded Jazz

Barry Kernfeld
pp. 529-533
DOI: https://doi.org/10.1353/not.2014.0031
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Two Versions of Janáček’s Glagolitic Mass

John Tyrrell
pp. 534-538
DOI: https://doi.org/10.1353/not.2014.0037
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Maderna’s Requiem Recovered

Claudia di Luzio
pp. 538-541
DOI: https://doi.org/10.1353/not.2014.0003
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Index to Advertisers

p. 550
DOI: https://doi.org/10.1353/not.2014.0016
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Trumpets and other High Brass, Volume 1: A History Inspired by the Joe R. and Joella F. Utley Collection: Instruments of the Single Harmonic Series by Sabine Katharina Klaus (review)

Marty Jenkins
pp. 442-444
DOI: https://doi.org/10.1353/not.2014.0006
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Music Received

David Knapp
pp. 542-549
DOI: https://doi.org/10.1353/not.2014.0009
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