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Table of Contents

  1. Front Porch
  2. Harry L. Watson
  3. pp. 1-6
  4. DOI: https://doi.org/10.1353/scu.2014.0006
  5. restricted access
  1. The Divided Reception of The Help
  2. Suzanne W. Jones
  3. pp. 7-25
  4. DOI: https://doi.org/10.1353/scu.2014.0008
  5. restricted access
  1. Black Women’s Memories and The Help
  2. Valerie Smith
  3. pp. 26-37
  4. DOI: https://doi.org/10.1353/scu.2014.0000
  5. restricted access
  1. “A Stake in the Story”: Kathryn Stockett’s The Help, Ellen Douglas’s Can’t Quit You, Baby, and the Politics of Southern Storytelling
  2. Susan V. Donaldson
  3. pp. 38-50
  4. DOI: https://doi.org/10.1353/scu.2014.0002
  5. restricted access
  1. “We Ain’t Doin’ Civil Rights”: The Life and Times of a Genre, as Told in The Help
  2. Allison Graham
  3. pp. 51-64
  4. DOI: https://doi.org/10.1353/scu.2014.0003
  5. restricted access
  1. Every Child Left Behind: The Many Invisible Children in The Help
  2. Kimberly Wallace-Sanders
  3. pp. 65-76
  4. DOI: https://doi.org/10.1353/scu.2014.0004
  5. restricted access
  1. Kathryn Stockett’s Postmodern First Novel
  2. Pearl McHaney
  3. pp. 77-92
  4. DOI: https://doi.org/10.1353/scu.2014.0005
  5. restricted access
  1. Twenty-Five Years Out from Telling Memories: Conversations Between Mary Yelling and Susan Tucker
  2. Susan Tucker
  3. pp. 93-101
  4. DOI: https://doi.org/10.1353/scu.2014.0007
  5. restricted access
  1. Prayer for My Children
  2. Kate Daniels
  3. p. 102
  4. DOI: https://doi.org/10.1353/scu.2014.0009
  5. restricted access
  1. About the Contributors
  3. p. 103
  4. DOI: https://doi.org/10.1353/scu.2014.0001
  5. restricted access