1. The Transatlantic Virtual Salon: Cather and the British
  2. Guy Reynolds
  3. pp. 349-368
  4. DOI: 10.1353/sdn.2013.0016
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  1. “As the result of many solicitations”: Ferris Greenslet, Houghton Mifflin, and Cather’s Career
  2. Robert Thacker
  3. pp. 369-386
  4. DOI: 10.1353/sdn.2013.0021
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  1. “Dear Alfred”/“Dear Miss Cather”: Willa Cather and Alfred Knopf, 1920–1947
  2. Richard C. Harris
  3. pp. 387-407
  4. DOI: 10.1353/sdn.2013.0023
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  1. Willa Cather, Edith Lewis, and Collaboration: The Southwestern Novels of the 1920s and Beyond
  2. Melissa J. Homestead
  3. pp. 408-441
  4. DOI: 10.1353/sdn.2013.0015
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  1. Cather’s Editorial Shaping of Sapphira and the Slave Girl
  2. Sarah Clere
  3. pp. 442-459
  4. DOI: 10.1353/sdn.2013.0017
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  1. Possession and Publication: Willa Cather’s Struggle to Save My Ántonia
  2. Sharon O’Brien
  3. pp. 460-475
  4. DOI: 10.1353/sdn.2013.0019
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  1. Speaking Volumes: Embodying Cather’s Works
  2. Kari A. Ronning
  3. pp. 519-537
  4. DOI: 10.1353/sdn.2013.0013
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  1. Slowly, but Surely: Willa Cather’s Reception in France
  2. Françoise Palleau-Papin
  3. pp. 538-558
  4. DOI: 10.1353/sdn.2013.0018
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  1. Introduction
  2. Andrew Jewell
  3. pp. 324-327
  4. DOI: 10.1353/sdn.2013.0012
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  1. Canonical in the 1930s: Willa Cather’s Death Comes for the Archbishop in the Modern Library Series
  2. Lise Jaillant
  3. pp. 476-499
  4. DOI: 10.1353/sdn.2013.0022
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  1. Material Memory: Willa Cather, “My First Novels (there were two),” and The Colophon: A Book Collector’s Quarterly
  2. Matthew J. Lavin
  3. pp. 500-518
  4. DOI: 10.1353/sdn.2013.0011
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  1. Notes on Contributors
  2. pp. 580-582
  3. DOI: 10.1353/sdn.2013.0046
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