In this Issue

Table of Contents

‘Musica est Optimum’: Martin Luther’s Theory of Music

J. Andreas Loewe
pp. 573-605
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Beyond the Composer-Conductor Dichotomy: Bernstein’s Copland-Inspired Mahler Advocacy

Matthew Mugmon
pp. 606-627
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Distributed Creativity and Ecological Dynamics: A Case Study of Liza Lim’s ‘Tongue of The Invisible’

Eric Clarke, Mark Doffman, Liza Lim
pp. 628-663
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The Politics of the New Music

Ben Earle
pp. 664-671
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The Cambridge Companion to Medieval Music ed. by Mark Everist (review)

Henry Hope
pp. 672-674
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Albion and Albanius by Louis Grabu, and: Venus and Adonis by John Blow (review)

Andrew R. Walkling
pp. 674-680
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The Theatre Career of Thomas Arne by Todd Gilman (review)

John Cunningham
pp. 680-682
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Our Ancient National Airs: Scottish Song Collecting from the Enlightenment to the Romantic Era by Karen McAulay (review)

Ronnie Gibson
pp. 682-684
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L’Opéra de Paris, la Comédie-Française et l’Opéra-Comique: Approches comparées (1669–2010) ed. by Sabine Chaouche, Denis Herlin, and Solveig Serre (review)

Mark Everist
pp. 684-688
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The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera by Nicholas Baragwanath (review)

Chloe Valenti
pp. 689-690
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The Politics of Plainchant in Fin-de-Siècle France by Katharine Ellis (review)

Emma Adlard
pp. 690-693
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Melodramatic Voices: Understanding Music Drama ed. by Sarah Hibberd (review)

Peter Franklin
pp. 693-696
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Češki glasbeniki v 19. in na začetku 20. stolet ja na Slovenskem by Jernej Weiss (review)

John Tyrrell
pp. 696-697
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Camille Saint-Saëns 1835—1921: A Thematic Catalogue of his Complete Works. Volume 2: The Dramatic Works by Sabina Teller Ratner (review)

Michael Strasser
pp. 697-699
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Composing for the Red Screen: Prokofiev and Soviet Film by Kevin Bartig (review)

Pauline Fairclough
pp. 699-701
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Edward Elgar: Letters of a Lifetime ed. by Jerrold Northrop Moore (review)

Daniel M. Grimley
pp. 701-704
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Letters from a Life: The Selected Letters of Benjamin Britten Volume Six: 1966–1976 ed. by Philip Reed and Mervyn Cooke, and: Britten in Pictures by Lucy Walker (review)

Danielle Ward-Griffin
pp. 704-707
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Irving Berlin’s American Musical Theatre by Jeffrey Magee (review)

Naomi Graber
pp. 707-709
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György Ligeti: Of Foreign Lands and Strange Sounds ed. by Louise Duchesneau and Wolfgang Marx (review)

Amy Bauer
pp. 709-712
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Stockhausen: A Theological Interpretation by Thomas Ulrich (review)

Paul V. Miller
pp. 712-715
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John Cage by Rob Haskins (review)

Mark Delaere
pp. 715-717
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The Legacy of Cornelius Cardew by Tony Harris (review)

Virginia Anderson
pp. 717-719
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Liveness in Modern Music: Musicians, Technology, and the Perception of Performance by Paul Sanden (review)

Arved Ashby
pp. 719-721
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Sonic Multiplicities: Hong Kong Pop and the Global Circulation of Sound and Image by Yiu Fai Chow and Jeroen de Kloet (review)

Shan Huang
pp. 721-723
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Postmodernism in Music by Kenneth Gloag (review)

J. P. E. Harper-Scott
pp. 723-727
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Correspondence: To the Editors of ‘Music & Letters’

Thomas M. Brodhead
pp. 728-729
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The Westrup Prize

p. 730
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‘Music & Letters’ Awards

p. 730
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Authors of Articles in this Issue

p. 732
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Reviews of Books: Index

pp. 739-741
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Books Received

pp. 733-734
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Contents, Vol. 94

pp. 737-738
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