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In this Issue

Table of Contents

  1. Late Modern Rigmarole: Boredom as Form in Samuel Beckett’s Trilogy
  2. Mark Pedretti
  3. pp. 583-602
  4. DOI: https://doi.org/10.1353/sdn.2014.0014
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  1. Ontology and Narrative Technique in Kazuo Ishiguro’s The Unconsoled
  2. A. Harris Fairbanks
  3. pp. 603-619
  4. DOI: https://doi.org/10.1353/sdn.2014.0011
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  1. Textual Unreliability, Trauma, and the Fantastic in Chuck Palahniuk’s Lullaby
  2. Francisco Collado-Rodríguez
  3. pp. 620-637
  4. DOI: https://doi.org/10.1353/sdn.2014.0008
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  1. Space, Aesthetic Power, and True Falsity in The Known World
  2. Paul Ardoin
  3. pp. 638-654
  4. DOI: https://doi.org/10.1353/sdn.2014.0005
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  1. Abandoned Creatures: Creaturely Life and the Novel Form in J. M. Coetzee’s Slow Man
  2. Pieter Vermeulen
  3. pp. 655-674
  4. DOI: https://doi.org/10.1353/sdn.2014.0002
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  1. The New Revenge Novel
  2. Kyle Wiggins
  3. pp. 675-692
  4. DOI: https://doi.org/10.1353/sdn.2014.0018
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  1. The Existence of Other People: Byatt, Manning, and Murdoch
  2. June Sturrock
  3. pp. 693-701
  4. DOI: https://doi.org/10.1353/sdn.2014.0015
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  1. Are We There Yet? Virtual Tourism and Victorian Realism by Alison Byerly (review)
  2. Richard Menke
  3. pp. 704-705
  4. DOI: https://doi.org/10.1353/sdn.2014.0009
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  1. Vietnam and Beyond: Tim O’Brien and the Power of Storytelling by Stefania Ciocia (review)
  2. Ty Hawkins
  3. pp. 705-707
  4. DOI: https://doi.org/10.1353/sdn.2014.0012
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  1. The Novel and the Sea by Margaret Cohen (review)
  2. Anne M. Thell
  3. pp. 707-709
  4. DOI: https://doi.org/10.1353/sdn.2014.0006
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  1. Thomas Pynchon and the Dark Passages of History by David Cowart (review)
  2. Joseph M. Conte
  3. pp. 709-711
  4. DOI: https://doi.org/10.1353/sdn.2014.0003
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  1. Harriet Martineau: Authorship, Society and Empire ed. by Ella Dzelzainis, Cora Kaplan (review)
  2. Karen Dutoi
  3. pp. 711-713
  4. DOI: https://doi.org/10.1353/sdn.2014.0000
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  1. The Female Romantics: Nineteenth-century Women Novelists and Byronism by Caroline Franklin (review)
  2. Denise Tischler Millstein
  3. pp. 714-715
  4. DOI: https://doi.org/10.1353/sdn.2014.0016
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  1. Dying for Time: Proust, Woolf, Nabokov by Martin Hägglund (review)
  2. Jennifer Yusin
  3. pp. 716-718
  4. DOI: https://doi.org/10.1353/sdn.2014.0013
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  1. Tiananmen Fictions Outside the Square: The Chinese Literary Diaspora and the Politics of Global Culture by Belinda Kong (review)
  2. Jerry A. Varsava
  3. pp. 718-720
  4. DOI: https://doi.org/10.1353/sdn.2014.0010
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  1. Narrative Middles: Navigating the Nineteenth-Century British Novel ed. by Caroline Levine, Mario Ortiz-Robles (review)
  2. Russell Greer
  3. pp. 720-721
  4. DOI: https://doi.org/10.1353/sdn.2014.0007
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  1. Geopolitics and the Anglophone Novel, 1890–2011 by John Marx (review)
  2. Jerry A. Varsava
  3. pp. 722-723
  4. DOI: https://doi.org/10.1353/sdn.2014.0004
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  1. The Dispossessed State: Narratives of Ownership in 19th-Century Britain and Ireland by Sara L. Maurer (review)
  2. Russell Greer
  3. pp. 723-724
  4. DOI: https://doi.org/10.1353/sdn.2014.0001
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  1. Truman Capote and the Legacy of In Cold Blood by Ralph F. Voss (review)
  2. Trenton Hickman
  3. pp. 725-726
  4. DOI: https://doi.org/10.1353/sdn.2014.0017
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  1. Index to Volume 45
  2. pp. 727-734
  3. DOI: https://doi.org/10.1353/sdn.2014.0019
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