1. Color Plates
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  1. Leonardo Art/Science Network under Legal Attack
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  1. The New Artist and Leonardo
  2. Sonia Landy Sheridan
  3. p. 247
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  1. in::FORMATION: The Aesthetic Use of Machinic Beings
  2. James R. Hugunin
  3. pp. 249-252
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  1. Wanderings
  2. Stephen Boyer
  3. p. 253
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  1. Gesundheit
  2. Kym Olsen, Trevor Martin
  3. p. 254
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  1. The In Finite Earth
  2. Valerie Sullivan Fuchs
  3. p. 255
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  1. Database Pøø: Mutating Informatic Tools
  2. Kevin Heisner
  3. p. 256
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  1. Colony
  2. Daniel Wayne Miller
  3. p. 257
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  1. The Hive
  2. Fernando Orellana
  3. p. 258
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  1. The Unstoppable Hum
  2. Sabrina Raaf
  3. p. 259
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  1. Standby Deliver
  2. Kenneth Rinaldo
  3. p. 260
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  1. Alchemical Bloom
  2. Amy Youngs
  3. p. 261
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  1. Glass Houses: A View of American Assimilation from a Mexican-American Perspective
  2. Jacalyn Lopez Garcia
  3. pp. 263-264
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  1. Beyond Tradition and Modernity: Digital Shadow Theater
  2. Ugur Güdükbay, Fatih Erol, Nezih Erdogan
  3. pp. 264-265
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  1. Torn Touch: Interactive Installation
  2. Joan Truckenbrod
  3. pp. 265-266
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  1. An Exploration of How Objectivity Is Practiced in Art
  2. Siún Hanrahan
  3. pp. 267-274
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  1. Video Space: A Site for Choreography
  2. Douglas Rosenberg
  3. pp. 275-280
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  1. A Renaissance of Color: Particle Separation and Preparation of Azurite for Use in Oil Painting
  2. Michael Price
  3. pp. 281-288
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  1. Rhythm in Multimodal Texts
  2. Radan Martinec
  3. pp. 289-297
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  1. The Specter of the Golem: The Quest for Safer Encaustic Painting Practice in the Age of OSHA
  2. Natalie Shifrin Whitson
  3. pp. 299-304
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  1. Color Perception and the Art of James Turrell
  2. Patrick Beveridge
  3. pp. 305-313
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  1. Open Letter to Our Readers: Letter from Leonardo’s Executive Editor
  2. Roger F. Malina
  3. pp. 317-319
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  1. How the etoy Campaign Was Won: An Agent’s Report
  2. Reinhold Grether, David Hudson
  3. pp. 321-324
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  1. Commentaries
  2. pp. 325-326
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  1. Leonardo Web Resources
  2. pp. 327-328
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  1. American Venus: The Extraordinary Life Of Audrey Munson, Model And Muse by Diane Rozas and Anita Bourne Gottehrer (review)
  2. Roy R. Behrens
  3. p. 329
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  1. Bachelors by Rosalind E. Krauss (review)
  2. Fred Andersson
  3. pp. 329-330
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  1. Becoming a Graphic Designer: A Guide to Careers in Design by Steven Heller and Teresa Fernandes (review)
  2. Roy R. Behrens
  3. p. 330
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  1. The Copyright Book: A Practical Guide by William S. Strong (review)
  2. Wilfred Niels Arnold
  3. pp. 330-331
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  1. Creative Interpretation of the Cosmos by E.A. Magnitskaya (review)
  2. Bulat M. Galeyev
  3. pp. 331-332
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  1. Madonna: De Vele Gezichten Van Een Popster (Madonna: The Many Faces of a Popstar) by Hannah Bosma and Patricia Pisters (review)
  2. Murat Aydemir
  3. pp. 332-333
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  1. The Moon and the Western Imagination by Scott L. Montgomery (review)
  2. David Topper
  3. pp. 333-334
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  1. Obras Maestras del Museo Nacional de Bellas Artes (Masterworks of the Museum of Fine Arts) by Jorge Glusberg (review)
  2. Paul Hertz
  3. p. 334
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  1. Psychology of Color ed. by S.L. Udovik (review)
  2. Bulat M. Galeyev
  3. pp. 334-335
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  1. Reframing Consciousness ed. by Roy Ascott (review)
  2. Prasad Rao
  3. pp. 335-336
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  1. Les Sculptures Sonores—The Sound Sculptures of Bernard and François Baschet by François Baschet (review)
  2. Rahma Khazam
  3. pp. 336-337
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  1. The Springboard in the Pond: An Intimate History of the Swimming Pool by Thomas A.P. van Leeuwen (review)
  2. Roy R. Behrens
  3. p. 337
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  1. Techgnosis: Myth, Magic + Mysticism in the Age of Information by Erik Davis (review)
  2. Kevin Murray
  3. p. 337
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  1. Invenção 99 (review)
  2. Sonya Rapoport
  3. pp. 337-338
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  1. Soundscapes Be)for(e 2000 (review)
  2. Rahma Khazam
  3. pp. 338-339
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  1. Leonardo/ISAST NEWS
  2. Andrea Blum
  3. pp. 341-342
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  1. Introduction: Leonardo Fights Back!
  2. Pamela Grant-Ryan
  3. p. 316
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  1. Materials Received
  2. pp. 339-340
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