Editorial

  1. Only Bombs are Intelligent?
  2. Michele Emmer
  3. pp. 83-84
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The Leonardo Gallery

  1. Wired Worlds
  2. Malcolm Ferris
  3. pp. 85-86
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  1. Digital Gateway
  2. Nigel Johnson
  3. p. 87
  4. restricted access contents
  1. Another Time, Another Space
  2. Toshio Iwai
  3. p. 88
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  1. Ride-the-Byte
  2. Art+Com
  3. p. 89
  4. restricted access contents
  1. Telematic Dreaming
  2. Paul Sermon
  3. p. 90
  4. restricted access contents
  1. The Golden Calf
  2. Jeffrey Shaw
  3. p. 91
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  1. Techno Sphere III
  2. Jane Prophet, Gordon Selley
  3. p. 92
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Special Section: Art and Biology

Artists' Articles

  1. Evolving Expressions and Art by Choice
  2. Gary R. Greenfield
  3. pp. 93-99
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  1. The Garden of Chances: A Visual Ecosystem
  2. Guillaume Hutzler, Bernard Gortais, Alexis Drogoul
  3. pp. 101-106
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Artist's Note

  1. Luminograms: Apparent Movement in Two-Dimensional Images
  2. Zdeněk Kočíb
  3. pp. 107-110
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Artists' Statements

  1. The View from the Pixel Factory: Ethos and Lucre
  2. Ira Altschiller
  3. pp. 111-112
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  1. Cellular Automat’Art as Part of Algorithmic Art
  2. Bernard Caillaud
  3. pp. 112-113
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  1. Reflections of a Sculptor
  2. Hélène Gauthier
  3. pp. 113-114
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General Articles

  1. On Anamorphosis: Setting Some Things Straight
  2. David Topper
  3. pp. 115-124
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  1. Towards a Philosophy of Virtual Reality: Issues Implicit in “Consciousness Reframed”
  2. Stephen Jones
  3. pp. 125-132
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Document

  1. Delusions of Dialogue: Control and Choice in Interactive Art
  2. Jim Campbell
  3. pp. 133-136
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New Media Dictionary

  1. Dictionary Terms—Part I
  2. Louise Poissant
  3. pp. 137-140
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Endnote

  1. Escape Velocity: A Review
  2. Anthony Hill
  3. p. 141
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On-Line Resources

  1. On-Line Resources
  3. pp. 143-144
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Leonardo Reviews

  1. America and the Daguerreotype ed. by John Wood (review)
  2. Wilfred Niels Arnold
  3. pp. 145-146
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  1. Africa: The Art of a Continent ed. by Tom Phillips (review)
  2. Robert Pepperell
  3. p. 146
  4. restricted access contents
  1. Virtualities: Television, Media Art and Cyberculture by Margaret Morse (review)
  2. Yvonne Spielmann
  3. pp. 146-148
  4. restricted access contents
  1. Design by Numbers by John Maeda (review)
  2. Roy R. Behrens
  3. p. 148
  4. restricted access contents
  1. Merchant Prince and Master Builder: Edgar J. Kaufmann and Frank Lloyd Wright by Richard L. Cleary (review)
  2. Roy R. Behrens
  3. p. 148
  4. restricted access contents
  1. Stairways to the Stars: Skywatching in Three Great Ancient Cultures by Anthony Aveni (review)
  2. David Topper
  3. pp. 148-150
  4. restricted access contents
  1. Vi: En dokumentation om kulturrådgiveri (We: A Documentation of Cultural Affairs) by Staffan Mossenmark and Jörgen Svensson (review)
  2. Fred Andersson
  3. p. 150
  4. restricted access contents
  1. Brain, Vision, Memory: Tales in the History of Neuroscience by Charles G. Gross (review)
  2. George K. Shortess
  3. pp. 150-151
  4. restricted access contents
  1. The Alphabet Versus The Goddess: The Conflict Between Word and Image by Leonard Shlain (review)
  2. Robert Pepperell
  3. p. 151
  4. restricted access contents
  1. The New Typography by Jan Tschichold (review)
  2. Roy R. Behrens
  3. p. 151
  4. restricted access contents
  1. Masterpieces of Japanese Prints: Ukiyo-E from The Victoria and Albert Museum by Rupert Faulkner (review)
  2. Roy R. Behrens
  3. pp. 151-152
  4. restricted access contents
  1. A Typographic Workbook: A Primer to History, Techniques and Artistry by Kate Clair (review)
  2. Roy R. Behrens
  3. p. 152
  4. restricted access contents
  1. Techno Textiles: Revolutionary Fabrics for Fashion and Design by Sarah E. Braddock and Marie O’Mahony (review)
  2. Steve Thompson
  3. pp. 152-153
  4. restricted access contents
  1. The Pyrotechnic Insanitarium: American Culture on the Brink by Mark Dery (review)
  2. Molly Hankwitz
  3. pp. 153-154
  4. restricted access contents
  1. Sites of Vision ed. by David Michael Levin (review)
  2. Robert Pepperell
  3. p. 154
  4. restricted access contents
  1. Alvar Aalto: Technology and Nature by Oy Yleisradio (review)
  2. Roy R. Behrens
  3. pp. 154-155
  4. restricted access contents
  1. Urge by Chico MacMurtrie (review)
  2. Kasey Rios Asberry
  3. p. 155
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  1. Inventing Experience: Experiments in New Media at Interval Research (review)
  2. Roger Malina
  3. pp. 155-156
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  1. Materials Received
  3. pp. 156-158
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Commentaries

  1. Commentaries
  3. pp. 159-161
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  1. Leonardo/ISAST News
  2. Andrea Blum
  3. pp. 163-164
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  1. Color Plates
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