1. Digital Salon Chair’s Statement: Digital Art: A Glass Bead Game?
  2. Bruce Wands
  3. pp. 349-351
  4. restricted access
  1. Hypermedia, Eternal Life, and the Impermanence Agent
  2. Noah Wardrip-Fruin
  3. pp. 353-358
  4. restricted access
  1. Life and Death in the Digital World of the Plaintext Players
  2. Marlena Corcoran
  3. pp. 359-364
  4. restricted access
  1. Into the Belly of the Image: Historical Aspects of Virtual Reality
  2. Oliver Grau
  3. pp. 365-371
  4. restricted access
  1. The Growing Brain, The Shrinking Ego: Self and Identity Redefined in the New Media Age
  2. Teresa Wennberg
  3. pp. 373-378
  4. restricted access
  1. From the Back of the Eyelids: Public and Private Space in an Interactive Installation
  2. Juliet Conlon
  3. pp. 379-382
  4. restricted access
  1. The Corporeal Stenographer: Language, Gesture, and Cyberspace
  2. Tiffany Holmes
  3. pp. 383-389
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  1. The Dichromaccord: Reinventing the Elusive Color Organ
  2. Daniel Conrad
  3. pp. 393-398
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  1. Synesthetic Art—An Imaginary Number?
  2. Paul Hertz
  3. pp. 399-404
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  1. Active Vision: Controlling Sound with Eye Movements
  2. Andrea Polli
  3. pp. 405-411
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  1. Digital Director’s Statement: The Digital and the Physical
  2. Kirsten Solberg
  3. p. 412
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  1. Exhibiting Artists
  2. pp. 413-414
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  1. Gallery Artworks
  2. pp. 415-436
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  1. Computer Animations
  2. pp. 437-448
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  1. Net Works
  2. pp. 449-455
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  1. Artists’ Statements
  2. pp. 457-463
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  1. Jury
  2. p. 464
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  1. Leonardo/ISAST News: The Newsletter of the International Society for the Arts, Sciences and Technology
  2. pp. 465-467
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  1. Introduction: Synesthetic Fusion in the Digital Age
  2. Jack Ox
  3. pp. 391-392
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