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  1. Philosophy and Visual Representation: Imaging the Impossible
  2. Carl Francis DiSalvo
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  1. Crinklage: A New Art Process
  2. Chris Foster
  3. pp. 87-88
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  1. The Laser Beam As an Artist’s Tool
  2. Rashid G. Tukhvatullin
  3. pp. 88-89
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  1. Globe Theater: Robotic Pageants
  2. Adrianne Wortzel
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  1. Virtual Cairo: An Urban Historian’s View of Computer Simulation
  2. Nezar AlSayyad
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  1. The National Museums of Kenya: A Brief Overview
  2. Lorna Abungu
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  1. The Old Testament Trinity of Andrey Rublyov: Geometry and Philosophy
  2. Alexander V. Voloshinov
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  1. The Large Glass Seen Anew: Reflections of Contemporary Science and Technology in Marcel Duchamp’s “Hilarious Picture”
  2. Linda Dalrymple Henderson
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  1. Leonardo On-Line Bibliographies
  2. Crétien van Campen, Greta Berman, Eduardo Kac, David Topper, Eduardo Kac, James Harley
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  1. Commentary on “Lygia Clark and Hilio Oiticica: a Legacy of Interactivity and Participation for a Telematic Future”
  2. Adelheid Mers
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  1. Response by Simone Osthoff
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  2. Philip Steadman
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  1. Response by Allan a. Mills
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  1. The Panorama: History of a Mass Medium by Stephan Oettermann (review)
  2. Oliver Grau, Michael Punt, Kasey Rios Asberry
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  1. Perception and Imaging by Richard D. Zakia (review)
  2. Roy Behrens
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  1. Bodies of Subversion: A Secret History of Women and Tattoo by Margot Mifflin (review)
  2. Mike Mosher
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  1. To Light Such a Candle: Chapters in the History of Science and Technology by Keith J. Laidler (review)
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  1. Les Particules Elementaires by Michel Houellebecq (review)
  2. Roger F. Malina
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  1. The House as a Place to Share
  2. Gianni Romano
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  2. Andrea Blum
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