1. Intersenses
  2. Jacques Mandelbrojt
  3. pp. 1-4
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  1. Color Me Synesthesia
  2. Jack Ox
  3. pp. 7-8
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  1. Artistic and Psychological Experiments with Synesthesia
  2. Crétien van Campen
  3. pp. 9-14
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  1. Synesthesia and the Arts
  2. Greta Berman, Jack Ox
  3. pp. 15-22
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  1. Life Music: The Sonification of Proteins
  2. John Dunn, Mary Anne Clark
  3. pp. 25-32
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  1. Phytochromography—Screen Printing with Plants: Research into Alternative Ink Technology
  2. Phil Shaw
  3. pp. 33-39
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  1. Computer Stereographics: The Coalescence of Virtual Space and Artistic Expression
  2. Vibeke Sorensen, Robert Russett
  3. pp. 41-48
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  1. Coming Full Circle: Composing a Cathartic Experience with CD-ROM Technology
  2. Elizabeth Hinkle-Turner
  3. pp. 49-52
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  1. The Role of Artists in Ship Camouflage During World War I
  2. Roy R. Behrens
  3. pp. 53-59
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  1. The CD-Rom Eizo Jikken no Tameni (For Visual Experimentation)
  2. Takahiko Iimura
  3. p. 60
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  1. Wow’em: Encouraging an Integrated Generation
  2. Kristine H. Burns
  3. pp. 60-61
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  1. Virtual Lyrics
  2. Gennadi A. Kalinin
  3. pp. 61-62
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  1. Beyond by Zoe Beloff (review)
  2. Michael Leggett
  3. pp. 63-64
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  1. Planet of Noise by Brad Miller, Mackenzie Wark (review)
  2. Michael Leggett
  3. pp. 64-65
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  1. Gloria Unti, Life and Work by Ann Wettrich, Wendy Bardsley (review)
  2. Kasey Rios Asberry
  3. p. 65
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  1. Transarchitectures: Visions of Digital Communities (review)
  2. Roger F. Malina
  3. pp. 65-66
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  1. Don’t Touch The Poet: The Life and Times of Joel Oppenheimer by Lyman Gilmore (review)
  2. Roy R. Behrens
  3. pp. 66-67
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  1. Knowledge of Higher Worlds: Rudolf Steiner’s Blackboard Drawings ed. by Lawrence Rinder (review)
  2. Roy R. Behrens
  3. p. 67
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  1. Rudolf Arnheim: Revealing Vision ed. by Kent Kleinman, Leslie Van Duzer (review)
  2. Roy R. Behrens
  3. p. 67
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  1. A Day with Picasso: Twenty-Four Photographs by Billy Kluver (review)
  2. Roy R. Behrens
  3. p. 67
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  1. Walter Benjamin’s Other History: of Stones, Animals, Human Beings and Angels by Beatrice Hanssen (review)
  2. Mike Mosher
  3. p. 69
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  1. Electronic Culture: Technology and Visual Representation ed. by Timothy Druckrey (review)
  2. Andreas Broeckmann
  3. pp. 69-70
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  1. Cyberwars: Espionage on the Internet by Jean Guisnel (review)
  2. Axel Mulder
  3. p. 70
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  1. Collective Intelligence: Mankind’s Emerging World in Cyberspace by Pierre Lévy (review)
  2. Kevin Murray
  3. pp. 70-71
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  1. Digital Dilemma ed. by Arthur, Marilouise Kroker (review)
  2. Stephen Wilson
  3. p. 71
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  1. Behind the Picture: Art and Evidence in the Italian Renaissance by Martin Kemp (review)
  2. David Topper
  3. pp. 71-72
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  1. Brazilian Electronic Arthttp://mitpress.mit.edu/e-journals/Leonardo/isast/spec.projects/brazilbib.html
  2. Eduardo Kac
  3. p. 75
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  1. Leonardo on-Line Bibliographies
  2. pp. 75-76
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  1. Iannis Xenakis Bibliography and Discographyhttp://mitpress.mit.edu/e-journals/Leonardo/isast/spec.projects/Xenakisbib.html
  2. James Harley
  3. p. 76
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  1. Art, Science And Technology Bibliographies Available On-Linehttp://mitpress.mit.edu/e-journals/Leonardo/isast/spec.projects/biblios.html
  2. p. 76
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  1. Leonardo/ISAST NEWS
  2. Andrea Blum
  3. p. 77
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  1. Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers by Arthur Wesley Dow (review)
  2. Roy R. Behrens
  3. p. 66
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  1. Materials Received
  2. pp. 72-74
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