1. Ghosts and Monsters: Technology and Personality in Contemporary Music
  2. Nicolas Collins
  3. pp. 1-2
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  1. John Cage—Ghost or Monster?
  2. Cornelius Cardew
  3. pp. 3-4
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  1. Origins of a Form: Acoustical Exploration, Science and Incessancy
  2. Alvin Lucier
  3. pp. 5-11
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  1. Composing with Shifting Sand: A Conversation between Ron Kuivila and David Behrman on Electronic Music and the Ephemerality of Technology
  2. Ron Kuivila, David Behrman
  3. pp. 13-16
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  1. Not necessarily anything to do with Karlheinz Stockhausen (excavated from diary entries 20 February–10 November 1994)
  2. Richard Barrett
  3. pp. 17-19
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  1. The Identification and Transposition of Authentic Instruments: Musical Practice and Technology
  2. Jonathan Impett
  3. pp. 21-26
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  1. Ubiquitous Electronics—Technology and Live Performance 1966–1996
  2. Nicolas Collins
  3. pp. 27-32
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  1. A Performer-Controlled Live Sound-Processing System: New Developments and Implementations of the Expanded Instrument System
  2. David Gamper, Pauline Oliveros
  3. pp. 33-38
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  1. The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music
  2. Scot Gresham-Lancaster
  3. pp. 39-44
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  1. Distortion is Truth
  2. Robert M. Poss
  3. pp. 45-48
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  1. From the Margins of the Periphery: Music and Technology at the Outskirts of the West—A Personal View
  2. Ricardo Arias
  3. pp. 49-54
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  1. Ghosts, Monsters and Other Realities in Music
  2. Matthias Osterwold
  3. pp. 59-63
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  1. The Sonic CD-Rom for Desktop Audio Production: An Electronic Guide to Producing Computer Audio for Multimedia by Durand R. Begault (review)
  2. Stephen Wilson
  3. p. 75
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  1. The Inter-Communication Center of Tokyo, Japan by Paul Sermon (review)
  2. Axel Mulder
  3. pp. 75-76
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  1. Scriabin Celebrations in Moscow (review)
  2. Irina L. Vanechkina
  3. p. 76
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  1. Music in the World of the Arts by M. Kagan (review)
  2. Irina L. Vanechkina
  3. pp. 76-77
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  1. Cybertext, Perspectives on Ergodic Literature by Espen J. Aarseth (review)
  2. Judy Malloy
  3. pp. 77-78
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  1. The Most Beautiful Molecule by Hugh Aldersey-Williams (review)
  2. Cliff Pickover
  3. p. 78
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  1. Design Culture: An Anthology of Writing from The AIGA Journal of Graphic Design ed. by Steven Heller and Marie Finamore (review)
  2. Roy Behrens
  3. p. 78
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  1. Order and Symmetry in Musical Art: Logical and Historical Aspects by L.V. Aleksandrova (review)
  2. E.V. Sintsov
  3. pp. 78-79
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  1. Self-Similar Melodies by Tom Johnson (review)
  2. David Feldman
  3. pp. 80-84
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  1. 1998 Author Index: Leonardo Volume 31 and Leonardo Music Journal Volume 8
  3. pp. 86-89
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  1. Leonardo/ISAST NEWS
  2. Andrea Blum
  3. p. 91
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  1. Ghosts and Monsters: Contributors’ Notes
  3. pp. 65-74
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  1. Materials Received
  3. pp. 84-85
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