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In this Issue

Table of Contents

  1. Ghosts and Monsters: Technology and Personality in Contemporary Music
  2. Nicolas Collins
  3. pp. 1-2
  4. restricted access
  1. John Cage—Ghost or Monster?
  2. Cornelius Cardew
  3. pp. 3-4
  4. restricted access
  1. Origins of a Form: Acoustical Exploration, Science and Incessancy
  2. Alvin Lucier
  3. pp. 5-11
  4. restricted access
  1. Not necessarily anything to do with Karlheinz Stockhausen (excavated from diary entries 20 February–10 November 1994)
  2. Richard Barrett
  3. pp. 17-19
  4. restricted access
  1. The Identification and Transposition of Authentic Instruments: Musical Practice and Technology
  2. Jonathan Impett
  3. pp. 21-26
  4. restricted access
  1. Ubiquitous Electronics—Technology and Live Performance 1966–1996
  2. Nicolas Collins
  3. pp. 27-32
  4. restricted access
  1. The Aesthetics and History of the Hub: The Effects of Changing Technology on Network Computer Music
  2. Scot Gresham-Lancaster
  3. pp. 39-44
  4. restricted access
  1. Distortion is Truth
  2. Robert M. Poss
  3. pp. 45-48
  4. restricted access
  1. From the Margins of the Periphery: Music and Technology at the Outskirts of the West—A Personal View
  2. Ricardo Arias
  3. pp. 49-54
  4. restricted access
  1. Ghosts, Monsters and Other Realities in Music
  2. Matthias Osterwold
  3. pp. 59-63
  4. restricted access
  1. The Inter-Communication Center of Tokyo, Japan by Paul Sermon (review)
  2. Axel Mulder
  3. pp. 75-76
  4. restricted access
  1. Scriabin Celebrations in Moscow (review)
  2. Irina L. Vanechkina
  3. p. 76
  4. restricted access
  1. Music in the World of the Arts by M. Kagan (review)
  2. Irina L. Vanechkina
  3. pp. 76-77
  4. restricted access
  1. Cybertext, Perspectives on Ergodic Literature by Espen J. Aarseth (review)
  2. Judy Malloy
  3. pp. 77-78
  4. restricted access
  1. The Most Beautiful Molecule by Hugh Aldersey-Williams (review)
  2. Cliff Pickover
  3. p. 78
  4. restricted access
  1. Order and Symmetry in Musical Art: Logical and Historical Aspects by L.V. Aleksandrova (review)
  2. E.V. Sintsov
  3. pp. 78-79
  4. restricted access
  1. Self-Similar Melodies by Tom Johnson (review)
  2. David Feldman
  3. pp. 80-84
  4. restricted access
  1. 1998 Author Index: Leonardo Volume 31 and Leonardo Music Journal Volume 8
  2. pp. 86-89
  3. restricted access
  1. Leonardo/ISAST NEWS
  2. Andrea Blum
  3. p. 91
  4. restricted access
  1. Ghosts and Monsters: Contributors’ Notes
  2. pp. 65-74
  3. restricted access
  1. Materials Received
  2. pp. 84-85
  3. restricted access

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Volume 7, 1997

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Volume 9, 1999