Editorial

  1. A Turn in the Shrubbery—Music, Technology and Words
  2. Nicolas Collins
  3. pp. 1-2
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Artists' Articles

  1. To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods
  2. Flo Menezes
  3. pp. 3-10
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  1. Experiences in Digital Terrain: Using Digital Elevation Models for Music and Interactive Multimedia
  2. Bill Thibault, Scot Gresham-Lancaster
  3. pp. 11-15
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General Article

  1. Quotation and Context: Sampling and John Oswald’s Plunderphonics
  2. Kevin Holm-Hudson
  3. pp. 17-25
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Technical Article

  1. The Evolution of Musical Organisms
  2. Bruno Degazio
  3. pp. 27-33
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Theoretical Perspective

Special Section: Conference Papers from the Seventh International Symposium on Electronic Art (ISEA 96)

  1. Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation)
  2. Sean Cubitt
  3. pp. 43-48
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  1. Machine Learning and Sound Design: A Case Study
  2. Eduardo Reck Miranda
  3. pp. 49-55
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CD Companion

  1. Cocks Crow, Dogs Bark: New Compositional Intentions
  2. Larry Polansky
  3. pp. 57-59
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  1. Cocks Crow, Dogs Bark: New Compositional Intentions
  2. Larry Polansky
  3. pp. 61-71
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  1. Metamusic/Metatext: The Blurry Boundaries Around Distributed Compositional Systems
  2. Nick Didkovsky
  3. pp. 73-76
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  1. This Is Art, Not Science
  2. Gordon Monro
  3. pp. 77-80
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  1. Contributors’ Notes
  2. pp. 81-91
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Music/Science Forum

  1. Yogyakarta Gamelan Festival 1997
  2. Jody Diamond, Sutanto
  3. pp. 92-95
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Artist's Statement

  1. The Evolution of the Musical Keyboard
  2. Jacob Duringer, Roger F. Malina
  3. pp. 96-97
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Reviews

  1. Hyperprism-PPC Version 1.2.1 (review)
  2. Marc Battier
  3. pp. 98-99
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  1. Gravikords, Whirlies and Pyrophones: Experimental Musical Instruments by Bart Hopkin (review)
  2. Patrick Lambelet
  3. p. 99
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  1. Electric Sound: The Past and Promise of Electronic Music by Joel Chadabe (review)
  2. Marc Battiq Ircam
  3. pp. 100-101
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  1. Multimedia
  2. pp. 101-102
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  1. 1997 Author Index: Leonardo Volume 30 and Leonardo Music Journal Volume ’7
  2. pp. 103-106
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