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In this Issue

Table of Contents

  1. A Turn in the Shrubbery—Music, Technology and Words
  2. Nicolas Collins
  3. pp. 1-2
  4. restricted access
  1. To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods
  2. Flo Menezes
  3. pp. 3-10
  4. restricted access
  1. Experiences in Digital Terrain: Using Digital Elevation Models for Music and Interactive Multimedia
  2. Bill Thibault, Scot Gresham-Lancaster
  3. pp. 11-15
  4. restricted access
  1. Quotation and Context: Sampling and John Oswald’s Plunderphonics
  2. Kevin Holm-Hudson
  3. pp. 17-25
  4. restricted access
  1. The Evolution of Musical Organisms
  2. Bruno Degazio
  3. pp. 27-33
  4. restricted access
  1. Propositional Music: On Emergent Properties in Morphogenesis and the Evolution of Music: Part II: Imponderable Forms and Compositional Methods
  2. David Rosenboom
  3. pp. 35-39
  4. restricted access
  1. Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation)
  2. Sean Cubitt
  3. pp. 43-48
  4. restricted access
  1. Machine Learning and Sound Design: A Case Study
  2. Eduardo Reck Miranda
  3. pp. 49-55
  4. restricted access
  1. Cocks Crow, Dogs Bark: New Compositional Intentions
  2. Larry Polansky
  3. pp. 57-59
  4. restricted access
  1. Cocks Crow, Dogs Bark: New Compositional Intentions
  2. Larry Polansky
  3. pp. 61-71
  4. restricted access
  1. Metamusic/Metatext: The Blurry Boundaries Around Distributed Compositional Systems
  2. Nick Didkovsky
  3. pp. 73-76
  4. restricted access
  1. This Is Art, Not Science
  2. Gordon Monro
  3. pp. 77-80
  4. restricted access
  1. Yogyakarta Gamelan Festival 1997
  2. Jody Diamond, Sutanto
  3. pp. 92-95
  4. restricted access
  1. The Evolution of the Musical Keyboard
  2. Jacob Duringer, Roger F. Malina
  3. pp. 96-97
  4. restricted access
  1. Hyperprism-PPC Version 1.2.1 (review)
  2. Marc Battier
  3. pp. 98-99
  4. restricted access
  1. Gravikords, Whirlies and Pyrophones: Experimental Musical Instruments by Bart Hopkin (review)
  2. Patrick Lambelet
  3. p. 99
  4. restricted access
  1. Suspended in Amber by Sarah Peebles, with Takahashi Harada, Kazue Mizushima, Kô Ishikawa, Hiromi Yoshida and Ikuo Kakehashi (review)
  2. Patrick Lambelet
  3. pp. 99-100
  4. restricted access
  1. Electric Sound: The Past and Promise of Electronic Music by Joel Chadabe (review)
  2. Marc Battiq Ircam
  3. pp. 100-101
  4. restricted access
  1. Multimedia
  3. pp. 101-102
  4. restricted access
  1. 1997 Author Index: Leonardo Volume 30 and Leonardo Music Journal Volume ’7
  3. pp. 103-106
  4. restricted access
  1. Contributors’ Notes
  3. pp. 81-91
  4. restricted access

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Volume 6, 1996

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Volume 8, 1998