1. A Turn in the Shrubbery—Music, Technology and Words
  2. Nicolas Collins
  3. pp. 1-2
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  1. To Be and Not To Be: Aspects of the Interaction Between Instrumental and Electronic Compositional Methods
  2. Flo Menezes
  3. pp. 3-10
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  1. Experiences in Digital Terrain: Using Digital Elevation Models for Music and Interactive Multimedia
  2. Bill Thibault, Scot Gresham-Lancaster
  3. pp. 11-15
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  1. Quotation and Context: Sampling and John Oswald’s Plunderphonics
  2. Kevin Holm-Hudson
  3. pp. 17-25
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  1. The Evolution of Musical Organisms
  2. Bruno Degazio
  3. pp. 27-33
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  1. Online Sound and Virtual Architecture (Contribution to the Geography of Cultural Translation)
  2. Sean Cubitt
  3. pp. 43-48
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  1. Machine Learning and Sound Design: A Case Study
  2. Eduardo Reck Miranda
  3. pp. 49-55
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  1. Cocks Crow, Dogs Bark: New Compositional Intentions
  2. Larry Polansky
  3. pp. 57-59
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  1. Cocks Crow, Dogs Bark: New Compositional Intentions
  2. Larry Polansky
  3. pp. 61-71
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  1. Metamusic/Metatext: The Blurry Boundaries Around Distributed Compositional Systems
  2. Nick Didkovsky
  3. pp. 73-76
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  1. This Is Art, Not Science
  2. Gordon Monro
  3. pp. 77-80
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  1. Yogyakarta Gamelan Festival 1997
  2. Jody Diamond, Sutanto
  3. pp. 92-95
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  1. The Evolution of the Musical Keyboard
  2. Jacob Duringer, Roger F. Malina
  3. pp. 96-97
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  1. Hyperprism-PPC Version 1.2.1 (review)
  2. Marc Battier
  3. pp. 98-99
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  1. Gravikords, Whirlies and Pyrophones: Experimental Musical Instruments by Bart Hopkin (review)
  2. Patrick Lambelet
  3. p. 99
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  1. Electric Sound: The Past and Promise of Electronic Music by Joel Chadabe (review)
  2. Marc Battiq Ircam
  3. pp. 100-101
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  1. Multimedia
  2. pp. 101-102
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  1. 1997 Author Index: Leonardo Volume 30 and Leonardo Music Journal Volume ’7
  2. pp. 103-106
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  1. Contributors’ Notes
  2. pp. 81-91
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