1. Ballast Reduction and the Audio Arts
  2. Gerald Hartnett
  3. pp. 1-6
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  1. Merapia: A Composition for Gamelan and Computer-Generated Tape
  2. Lydia Ayers
  3. pp. 7-14
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  1. A Personal Approach to Contemporary Jazz: Works for Saxophone and Computer-Controlled Electronics
  2. Neil Leonard III
  3. pp. 15-20
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  1. Thresholds of Confidence: An Analysis of Statistical Methods for Composition: Part 2: Applications
  2. Charles Ames
  3. pp. 21-26
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  1. Automated Composition from Computer Models of Biological behavior
  2. Stephen Brooks, Brian J. Ross
  3. pp. 27-31
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  1. Getting a Grip on Alternate Controllers: Addressing the Variability of Gestural Expression in Musical Instrument Design
  2. Axel Mulder
  3. pp. 33-40
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  1. The History of Electronic Music as a Reflection of Structural Paradigms
  2. Joel Chadabe
  3. pp. 41-44
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  1. The Design of a Musical Instrument Based on Cathode Relays
  2. Leon S. Theremin, Oleg Petrishev
  3. pp. 49-50
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  1. My Experience with the Theremin
  2. Lydia Kavina, Elizabeth Parcells
  3. pp. 51-55
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  1. The Theremin and Its Inventor in Twentieth-Century Russia
  2. Natalia Nesturkh
  3. pp. 57-60
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  1. The Electronic Music School Studio at the Rimsky-Korsakov State Conservatory of St. Petersburg
  2. Alexander S. Belonenko
  3. p. 61
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  1. Melody-Drawing Transformation
  2. Bulat M. Galeyev, Vladimir Chudnovsky
  3. pp. 61-62
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  1. The Theremin Enthusiasts Club International
  2. Dan Gillard
  3. p. 63
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  1. The Theremin in the United Kingdom
  2. Anthony J. Henk
  3. p. 63
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  1. The Electroacoustic Music Studio of Yekaterinburg
  2. Tatiana Komarova
  3. p. 64
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  1. The Graphovox System of Musical Transformation
  2. Lydia Lityagina, Nikolai Naumov
  3. pp. 64-65
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  1. Followers of Theremin from Siberia
  2. Alexander P. Mentyukov
  3. p. 65
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  1. The Theremin Center for Electroacoustic Music
  2. Andre Smirnov
  3. pp. 65-66
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  1. Optical Theater
  2. Sergei M. Zorin
  3. pp. 66-67
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  1. Russian Bibliography
  2. N. Nesturkh, B. Galeyev, S. Zorin, I. Vanechkina, S. Sintzova, Vladimir Chudnovsky
  3. pp. 76-77
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  1. International Theremin Resource Directory
  2. Matthias Sauer
  3. pp. 78-82
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  1. Theremin Discography
  2. p. 83
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  1. CD Companion
  2. p. 85
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  1. The Lyre’s Island: Some Australian Music, Sound Art and Design
  2. Douglas Kahn
  3. pp. 89-93
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  1. Speaking Pantomimes: Notes on The Calling to Come
  2. Paul Carter
  3. pp. 95-98
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  1. Towards the Design of a Real-Time Interactive Performance Sound System
  2. Rainer Linz
  3. pp. 99-107
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  1. Free Music
  2. Percy Aldridge Grainger
  3. p. 109
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  1. The Electric Swaying Orchestra: A Music Machine with Certain Creative Powers
  2. Bosch Peter, Simons Simone
  3. pp. 116-117
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  1. Toward the Integrated Support of Computer Graphics and Computer Music Creativity
  2. David Rossiter
  3. pp. 117-118
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  1. Overture. Version 1.2 (review)
  2. Marc Battier
  3. p. 119
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  1. Studio Vision Pro. Version 3.0 (review)
  2. Marc Battier
  3. pp. 119-121
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  1. 1996 Index: Leonardo Volume 29 and Leonardo Music Journal Volume 6
  2. pp. 123-127
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  1. Contributors’ Notes
  2. pp. 111-115
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  1. Materials Received
  2. pp. 121-122
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