Editorial

  1. Leonardo Music Journal: Building Bridges
  2. Marc Battier
  3. pp. 1-2
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Artists' Articles

  1. Lottery: Toward a Unified Rational Strategy for Cooperative Music-Making
  2. Nick Didkovsky
  3. pp. 3-12
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  1. Elemental Counterpoint with Digital Imagery
  2. Brian Evans
  3. pp. 13-18
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  1. Composition with Sound and Light
  2. Barton McLean
  3. pp. 19-22
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  1. Producing Kombination XI: Using Modern Hardware and Software Systems for Composition
  2. Stephen Travis Pope
  3. pp. 23-28
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  1. A Personal Story of Music and Technologies
  2. Godfried-Willem Raes
  3. pp. 29-35
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  1. Composing with Time-Shifted Environmental Sound
  2. Barry Truax
  3. pp. 37-40
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  1. Computer-Assisted Composition and Performance: The Creation of A Noite, Porém, Rangeu E Quebrou
  2. Rodney Waschka II
  3. pp. 41-44
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Historical Perspectives

  1. Jaan Soonvald and His Musical System
  2. Mark Rais
  3. pp. 45-47
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  1. Buddhist Music of Mongolia
  2. Peeter Vähi
  3. pp. 49-53
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Technical Article

  1. A Catalog of Sequence Generators: Accounting for Proximity, Pattern, Exclusion, Balance and/or Randomness
  2. Charles Ames
  3. pp. 55-72
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Theoretical Perspectives

  1. Paradigms and Computer Music
  2. Andrew Gerzso
  3. pp. 73-79
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  1. On the Entropy of Music: An Experiment with Bach Chorale Melodies
  2. Leonard C. Manzara, Ian H. Witten, Mark James
  3. pp. 81-88
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  1. Integrated Creativity: Transcending the Boundaries of Visual Art, Music and Literature
  2. Joan Truckenbrod
  3. pp. 89-95
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CD Companion

  1. Interaction: New Music for Gamelan—An Introduction
  2. Jody Diamond
  3. pp. 99-102
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  1. Meeting by A. W. ('Dedek') Sulrisna (review)
  2. A. W. Sulrisna
  3. p. 103
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  1. Old-Growth Music in the Northwest
  2. Jarrad Powell
  3. p. 104
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  1. Vancouver by Barbara Benary (review)
  2. Barbara Benary
  3. pp. 104-105
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  1. Work in Progress by I Wayan Sadra, Jurusan Karawitan (review)
  2. I Wayan Sadra, Jody Diamond
  3. pp. 105-106
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  1. חטא לא (Al Het) —for the people of Nicaragua by Larry Polansky (review)
  2. Larry Polansky
  3. pp. 106-107
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  1. Paragraph by Rahayu Supanggah, Jurusan Karawitan (review)
  2. Rahayu Supanggah, Barbara Benary
  3. pp. 107-109
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  1. Concerto for Piano with Javanese Gamelan by Lou Harrison (review)
  2. Lou Harrison
  3. p. 109
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  1. CD Companion Glossary
  2. p. 110
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Music/Science Forum

  1. The Activities of Centro Ricerche Musicali
  2. Laura Bianchini, Michelangelo Lupone
  3. pp. 111-113
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  1. Lyon: Musiques en Scène 1992
  2. Christèle Pruvot
  3. pp. 113-115
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  1. The Music Business and Technology Program at New York University
  2. Robert Rowe
  3. pp. 115-116
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Reviews

  1. Auditory Scene Analysis: The Perceptual Organization of Sound by Albert Bregman (review)
  2. Gregory Kramer
  3. pp. 117-118
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  1. The Sackbut Blues: Hugh Le Caine—Pioneer in Electronic Music by Gayle Young (review)
  2. Marc Battier
  3. pp. 118-119
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  1. Light-Music in Theatre and Variety: Proceedings of the All-Union Seminar (review)
  2. Bulat M. Galeyev
  3. pp. 119-120
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  1. Representations of Musical Signals ed. by Giovanni de Poli, Aldo Piccialli and Curtis Roads (review)
  2. Marc Battier
  3. p. 120
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  1. What’s the Matter with Today’s Experimental Music? Organised Sound too Rarely Heard by Leigh Landy (review)
  2. Denis Smalley
  3. pp. 120-121
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  1. Gottfried Michael Koenig: The Electronic Works (review)
  2. Adolfo Núñez
  3. pp. 121-122
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  1. Interactor 4.0.8 by Mark Coniglio and Morton Subotnick (review)
  2. Robert Rowe
  3. pp. 122-123
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  1. Bibliography
  2. pp. 123-124
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  1. Publications
  2. pp. 124-125
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  1. LMJ Glossary
  2. Nick Didkovsky, Andrew Gerzso, Barton McLean, Godfried-Willem Raes, Barry Truax
  3. pp. 127-128
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