+ MUSE Alert

In this Issue

Table of Contents

  1. The Future of Music/The Future of Leonardo
  2. Larry Polansky
  3. p. 1
  4. restricted access
  1. Introducing the Leonardo Music Journal Editorial Board
  3. p. 2
  4. restricted access
  1. Australian Experimental Music 1963–1990
  2. Warren Burt
  3. pp. 5-10
  4. restricted access
  1. Trends in New Acoustic Musical Instrument Design
  2. Bart Hopkin
  3. pp. 11-16
  4. restricted access
  1. 17 Gloomy Sentences (and commentary) at the turn of the millennium (in the form of an editorial)
  2. Larry Polansky
  3. pp. 17-18
  4. restricted access
  1. Komposisi Baru: On Contemporary Composition in Indonesia
  2. I Wayan Sadra, Jody Diamond, Ayi Solehuddin, Theresa Rohlck
  3. pp. 19-24
  4. restricted access
  1. Chaos and Creativity: The Dynamic Systems Approach to Musical Composition
  2. Peter Beyls
  3. pp. 31-36
  4. restricted access
  1. Software as Sculpture: Creating Music from the Ground Up
  2. John Bischoff
  3. pp. 37-40
  4. restricted access
  1. Low Brass: The Evolution of Trombone-Propelled Electronics
  2. Nicolas Collins
  3. pp. 41-44
  4. restricted access
  1. From Notebooks #2
  2. Daniel Goode
  3. pp. 45-50
  4. restricted access
  1. Nature, Networks, Chamber Music
  2. Mark Trayle
  3. pp. 51-53
  4. restricted access
  1. A Catalog of Statistical Distributions: Techniques for Transforming Random, Determinate and Chaotic Sequences
  2. Charles Ames
  3. pp. 55-70
  4. restricted access
  1. Relative Ratio Tuning: An Intornational Strategy for Performance Systems
  2. Martin Bartlett
  3. pp. 71-73
  4. restricted access
  1. Don Giovanni and Other New Electronic Operatic Works
  2. K. Atchley
  3. pp. 77-80
  4. restricted access
  1. Transmission Two: The Great Excursion (TT:TGE)—The Aesthetic, Art and Science of a Composition for Radio
  2. Larry Austin, Charles Boone, Xavier Serra
  3. pp. 81-88
  4. restricted access
  1. Local Conditions and Perceptual Concerns: Notes on Several Sound Works
  2. Ed Osborn
  3. pp. 89-93
  4. restricted access
  1. Notes from the NetJam Project
  2. Craig Latta
  3. pp. 103-105
  4. restricted access
  1. Entrée/Sortie
  2. Mathias Fuchs
  3. pp. 105-106
  4. restricted access
  1. Mantra by Karlheinz Stockhausen; and Conversations with Stockhausen by Mya Tannenbaum; and Towards A Cosmic Music: Texts by Karlheinz Stockhausen ed. by Tim Nevill; and The Works of Karlheinz Stockhausen by Robin Maconie; and Stockhausen on Music comp. by Robin Maconie (review)
  2. Richard Friedman
  3. pp. 107-108
  4. restricted access
  1. 20th Century Microtonal Notation by Gardner Read (review)
  2. Larry Polansky
  3. pp. 108-109
  4. restricted access
  1. Elements of Computer Music by F. Richard Moore (review)
  2. Vance Maverick
  3. p. 110
  4. restricted access
  1. Electric Rags II by Alvin Curran (review)
  2. Nick Didkovsky
  3. pp. 110-111
  4. restricted access
  1. Karya [create]: Compositions by I Wayan Sadra (review)
  2. Kent Devereaux
  3. pp. 111-112
  4. restricted access
  1. Crossing by Alvin Lucier, Digital Music by Emanuel Dimas de Melo Pimenta (review)
  2. Tim Perkis
  3. p. 112
  4. restricted access
  1. Smalltalk by Paul Lansky (review)
  2. Nick Didkovsky
  3. pp. 112-113
  4. restricted access
  1. The Aerial: A Journal in Sound by Steve Peters (review)
  2. Anthony J. Gnazzo
  3. p. 115
  4. restricted access
  1. News of Music: Access to Discussion and Information, Electronic Cottage: International Magazine ed. by Hal McGee (review)
  2. Larry Polansky
  3. pp. 115-116
  4. restricted access
  1. Musicworks ed. by Gayle Young and Lauren A. Pratt (review)
  2. Miguel Frasconi
  3. pp. 116-117
  4. restricted access
  1. Soundings Press pub. by Peter Garland (review)
  2. Carter Scholz
  3. pp. 117-118
  4. restricted access
  1. Formula (Forth Music Language) by David Anderson (review)
  2. Jim Horton
  3. p. 118
  4. restricted access
  1. Hierarchical Music Specification Language by Phil Burk, Larry Polansky and David Rosenboom (review)
  2. Peter M. Yadlowsky
  3. p. 119
  4. restricted access
  1. Max: Interactive Graphic Programming Environment by Miller Puckette and David Zicarelli (review)
  2. Richard Zvonar
  3. pp. 119-120
  4. restricted access
  1. Leonardo Music Journal Glossary
  3. pp. 121-122
  4. restricted access
  1. The Leonardo Music Journal and Leonardo Compact Disc Series
  2. Roger F. Malina
  3. p. 3
  4. restricted access
  1. The Airplayer Series: Manipulation of Light, Sound and Space through Technology
  2. Sara Garden Armstrong, Robert Ross
  3. pp. 25-30
  4. restricted access
  1. CD Companion: Introduction
  2. Elliot Mazer
  3. p. 75
  4. restricted access
  1. Contributors’ Notes
  3. pp. 95-102
  4. restricted access
  1. Recommended/Further Readings, and: Books Received, and: Cassettes/CDs Received
  3. pp. 113-114
  4. restricted access

Next Issue

Volume 2, 1992