1. The Future of Music/The Future of Leonardo
  2. Larry Polansky
  3. p. 1
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  1. Introducing the Leonardo Music Journal Editorial Board
  3. p. 2
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  1. Australian Experimental Music 1963–1990
  2. Warren Burt
  3. pp. 5-10
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  1. Trends in New Acoustic Musical Instrument Design
  2. Bart Hopkin
  3. pp. 11-16
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  1. 17 Gloomy Sentences (and commentary) at the turn of the millennium (in the form of an editorial)
  2. Larry Polansky
  3. pp. 17-18
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  1. Komposisi Baru: On Contemporary Composition in Indonesia
  2. I Wayan Sadra, Jody Diamond, Ayi Solehuddin, Theresa Rohlck
  3. pp. 19-24
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  1. Chaos and Creativity: The Dynamic Systems Approach to Musical Composition
  2. Peter Beyls
  3. pp. 31-36
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  1. Software as Sculpture: Creating Music from the Ground Up
  2. John Bischoff
  3. pp. 37-40
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  1. Low Brass: The Evolution of Trombone-Propelled Electronics
  2. Nicolas Collins
  3. pp. 41-44
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  1. From Notebooks #2
  2. Daniel Goode
  3. pp. 45-50
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  1. Nature, Networks, Chamber Music
  2. Mark Trayle
  3. pp. 51-53
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  1. A Catalog of Statistical Distributions: Techniques for Transforming Random, Determinate and Chaotic Sequences
  2. Charles Ames
  3. pp. 55-70
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  1. Relative Ratio Tuning: An Intornational Strategy for Performance Systems
  2. Martin Bartlett
  3. pp. 71-73
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  1. Don Giovanni and Other New Electronic Operatic Works
  2. K. Atchley
  3. pp. 77-80
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  1. Transmission Two: The Great Excursion (TT:TGE)—The Aesthetic, Art and Science of a Composition for Radio
  2. Larry Austin, Charles Boone, Xavier Serra
  3. pp. 81-88
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  1. Local Conditions and Perceptual Concerns: Notes on Several Sound Works
  2. Ed Osborn
  3. pp. 89-93
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  1. Notes from the NetJam Project
  2. Craig Latta
  3. pp. 103-105
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  1. Entrée/Sortie
  2. Mathias Fuchs
  3. pp. 105-106
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  1. Mantra by Karlheinz Stockhausen; and Conversations with Stockhausen by Mya Tannenbaum; and Towards A Cosmic Music: Texts by Karlheinz Stockhausen ed. by Tim Nevill; and The Works of Karlheinz Stockhausen by Robin Maconie; and Stockhausen on Music comp. by Robin Maconie (review)
  2. Richard Friedman
  3. pp. 107-108
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  1. 20th Century Microtonal Notation by Gardner Read (review)
  2. Larry Polansky
  3. pp. 108-109
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  1. Elements of Computer Music by F. Richard Moore (review)
  2. Vance Maverick
  3. p. 110
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  1. Electric Rags II by Alvin Curran (review)
  2. Nick Didkovsky
  3. pp. 110-111
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  1. Karya [create]: Compositions by I Wayan Sadra (review)
  2. Kent Devereaux
  3. pp. 111-112
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  1. Crossing by Alvin Lucier, Digital Music by Emanuel Dimas de Melo Pimenta (review)
  2. Tim Perkis
  3. p. 112
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  1. Smalltalk by Paul Lansky (review)
  2. Nick Didkovsky
  3. pp. 112-113
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  1. The Aerial: A Journal in Sound by Steve Peters (review)
  2. Anthony J. Gnazzo
  3. p. 115
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  1. News of Music: Access to Discussion and Information, Electronic Cottage: International Magazine ed. by Hal McGee (review)
  2. Larry Polansky
  3. pp. 115-116
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  1. Musicworks ed. by Gayle Young and Lauren A. Pratt (review)
  2. Miguel Frasconi
  3. pp. 116-117
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  1. Soundings Press pub. by Peter Garland (review)
  2. Carter Scholz
  3. pp. 117-118
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  1. Formula (Forth Music Language) by David Anderson (review)
  2. Jim Horton
  3. p. 118
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  1. Hierarchical Music Specification Language by Phil Burk, Larry Polansky and David Rosenboom (review)
  2. Peter M. Yadlowsky
  3. p. 119
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  1. Max: Interactive Graphic Programming Environment by Miller Puckette and David Zicarelli (review)
  2. Richard Zvonar
  3. pp. 119-120
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  1. Leonardo Music Journal Glossary
  3. pp. 121-122
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  1. The Leonardo Music Journal and Leonardo Compact Disc Series
  2. Roger F. Malina
  3. p. 3
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  1. The Airplayer Series: Manipulation of Light, Sound and Space through Technology
  2. Sara Garden Armstrong, Robert Ross
  3. pp. 25-30
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  1. CD Companion: Introduction
  2. Elliot Mazer
  3. p. 75
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  1. Contributors’ Notes
  3. pp. 95-102
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  1. Recommended/Further Readings, and: Books Received, and: Cassettes/CDs Received
  3. pp. 113-114
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