1. The Making of a Painting
  2. Stanley W. Hayter
  3. pp. 347-350
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  1. Perspectives and Reflections of a Sculptor: A Memoir
  2. Ibram Lassaw
  3. pp. 351-361
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  1. Construction and Change: Notes on a Group of Works Made between 1965 and 1967
  2. Kenneth Martin
  3. pp. 363-372
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  1. Applications Techniques Des ‘Dessins a Lacunes’
  2. Michel Seuphor
  3. pp. 373-381
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  1. Montage-Painting
  2. Andre Verlon
  3. pp. 383-392
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  1. Structures Sonores
  2. Bernard Baschet
  3. pp. 393-403
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  1. The New Musical Notation—A Graphic Art?
  2. John Evarts
  3. pp. 405-412
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  1. Du Pastel A La Tapisserie
  2. Delphine Bureau-Chigot
  3. pp. 413-414
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  1. Electricite Et Mouvement Physique Dans Mes Œuvres
  2. Nino Calos
  3. pp. 415-418
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  1. Sculpture, Uniqueness And Multiplicity
  2. Mitzi Cunliffe
  3. pp. 419-422
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  1. Peinture a L’encaustique
  2. Emile Lombard
  3. p. 423
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  1. Ma Genese Vers Une Sculpture Plastique
  2. Jean-Marie Simonnet
  3. pp. 425-429
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  1. An Interview with Piero Gilardi
  2. LeGrace G. Benson, Gabriele Muresu, Alan Nagel
  3. pp. 431-439
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  1. Unesco Symposium on Technology and Artistic Creation in the Contemporary World
  2. d’Arcy Hayman
  3. pp. 441-444
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  1. Colloque De L’unesco Sur La Technologie Et Sur La Creation Artlstlque Dans Le Monde Contemporain
  2. d’Arcy Hayman
  3. pp. 445-447
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  1. Differences Entre La Science Et L’art: Quelques Reflexions
  2. Frank J. Malina, Mme. C. Vassas-Dubuisson, Melle
  3. pp. 449-455
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  1. Un Esthetique Nouvelle: La Loi Des Predominances Et La Peinture Musicale
  2. Henry Valensi
  3. pp. 457-461
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  1. Terminology = Terminologie
  2. pp. 463-465
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  1. Art and Society
  2. Otto Klineberg
  3. pp. 467-473
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  1. Constructivism without Walls
  2. Kenneth Frampton
  3. pp. 469-472
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  1. Ville et Révolution by Anatole Kopp (review)
  2. Pierre Devinoy
  3. p. 472
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  1. Books Received
  2. p. 473
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