1. Aims and Scope of Leonardo = But et Portee de Leonardo
  2. Frank J. Malina
  3. pp. 1-2
  4. restricted access
  1. Drawings as Structures and Non-Structures
  2. L. Alcopley
  3. pp. 3-16
  4. restricted access
  1. Principles of Integration I Have Found
  2. Joop Beljon
  3. pp. 17-24
  4. restricted access
  1. Kinetic Painting: The Lumidyne System
  2. Frank J. Malina
  3. pp. 25-33
  4. restricted access
  1. The Formal Generators of Structure
  2. Stanley Tigerman, G. T. Crabtree
  3. pp. 35-39
  4. restricted access
  1. Quantities and Qualities: Some Notes on Working Ideas in Art
  2. Gillian Wise
  3. pp. 41-50
  4. restricted access
  1. L’Art et La Ville
  2. Yona Friedman
  3. pp. 51-61
  4. restricted access
  1. L’Esthetique et L’artiste Contemporain
  2. Etienne Souriau
  3. pp. 63-68
  4. restricted access
  1. New Visions of the World
  2. C. H. Waddington
  3. pp. 69-75
  4. restricted access
  1. Reliefs
  2. Georges Noël
  3. pp. 77-80
  4. restricted access
  1. Stochastic Painting
  2. Fred L. Whipple
  3. pp. 81-83
  4. restricted access
  1. Terminology = Terminologie
  2. pp. 85-87
  3. restricted access
  1. The Senses Considered as Perceptual Systems by James J. Gibson (review)
  2. Guy S. Métraux, Gerald Oster
  3. pp. 89-90
  4. restricted access
  1. Symétrie et Mathématique Moderne by Hermann Weyl (review)
  2. F. Le Lionnais
  3. p. 90
  4. restricted access
  1. Optical Illusions and the Visual Arts by Ronald G. Carraher and Jacqueline B. Thurston (review)
  2. Richard L. Gregory
  3. pp. 90-91
  4. restricted access
  1. Symmetry Aspects of M. C. Escher’s Periodic Drawings by Caroline H. Macgillavry (review)
  2. p. 91
  3. restricted access
  1. Textures: A Photographic Album for Artists and Designers by Phil Brodatz (review)
  2. Irwin Hersey
  3. pp. 91-92
  4. restricted access
  1. Letters = Lettres
  2. Paul Gauguin, Vincent van Gogh
  3. pp. 101-102
  4. restricted access
  1. Introduction
  2. Leonardo da Vinci
  3. pp. i-ii
  4. restricted access