1. Sculpture: My Conception of the ‘Human Wall’
  2. Joachim Berthold
  3. pp. 269-274
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  1. On The Use of a Color-Music Analogy and on Chance in Paintings
  2. Judith Rothschild
  3. pp. 275-283
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  1. Imagery, Light and Motion in my Sculptures
  2. Jan Zach
  3. pp. 285-293
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  1. New Materials and Methods for the Musical Instrument Designer, The Audio-Kinetic Sculptor, Musician and Composer
  2. John Grayson
  3. pp. 295-304
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  1. The Shape of Things Seen: The Interpretation of form in Biology
  2. Philip C. Ritterbush
  3. pp. 305-317
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  1. Highway Sculpture: The Towers of Satellite City
  2. Mathias Goeritz
  3. pp. 319-322
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  1. On the Visual Fine Arts in the Space Age
  2. Frank J. Malina
  3. pp. 323-325
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  1. Sculpture: Cylindres en plexiglas
  2. Marta Pan
  3. pp. 327-329
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  1. Expériences artistiques à partir du laser
  2. Joël Stein
  3. pp. 331-333
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  1. La fronde
  2. Giulio Carlo Argan
  3. pp. 333-340
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  1. An Interview with Tom O’Horgan on Aspects of the Contemporary Theater
  2. Elsa Gress
  3. pp. 341-349
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  1. I. Notes for a Scientific Theory of Aesthetics
  2. Louis Rapkine
  3. pp. 351-352
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  1. II. Commentary on the Aesthetics of Louis Rapkine
  2. Jacques Monod
  3. p. 353
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  1. III. Comments on Rapkine’s Notes and Monod’s Commentary
  2. Jacques Mandelbrojt
  3. p. 354
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  1. Terminology = Terminologie
  2. pp. 355-358
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  1. Cultural Policy, A Preliminary Study-Studies and Documents on Cultural Policies (review)
  2. S. K. Ghaswala
  3. pp. 359-360
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  1. A Study of Cultural Policy in the United States by Charles C. Mark (review)
  2. Gabriel P. Weisberg
  3. p. 360
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  1. Mao-Tse-Tung on Literature and Art (review)
  2. S. Frederick Starr
  3. p. 361
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  1. Theories of Modern Art: A Source Book by Artists and Critics by Herschel B. Chipp (review)
  2. Romare H. Bearden, Carl Holty
  3. pp. 361-362
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  1. Turning Points in 20th Century Art, 1890–1917 by Werner Hofmann (review)
  2. Susan Compton
  3. pp. 362-363
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  1. Arts and Ideas by William Fleming (review)
  2. John Elderfield
  3. pp. 363-364
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  1. Art in a Machine Age by Maxwell Fry (review)
  2. Gordon Toplis
  3. pp. 364-365
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  1. The History of Surrealism by Maurice Nadeau, and: Dada, Surrealism and Their Heritage by William S. Rubin (review)
  2. Norman Narotzky
  3. pp. 366-368
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  1. Language and Visual Form; The Personal Record of a Dual Creative Process by Donald L. Weismann (review)
  2. LeGrace Benson
  3. pp. 368-369
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  1. The Perception of Brightness and Darkness by Leo M. Hurvich, Dorthea Jameson (review)
  2. Henry P. Raleigh
  3. pp. 369-370
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  1. Fountains and Springs by Ernst Erik Pfannschmidt (review)
  2. Richard I. Land
  3. p. 370
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  1. Plastics as an Art Form by Thelma R. Newman (review)
  2. Norman Narotzky
  3. p. 371
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  1. Plastics in the Modern World by E. G. Couzens, V. E. Yarsley (review)
  2. James W. Davis
  3. pp. 371-372
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  1. The Harper Encyclopedia of Science ed. James R. Newman (review)
  2. p. 372
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  1. The Poster by Harold F. Hutchison (review)
  2. p. 372
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  1. Letters = Lettres
  2. John Alexander-Sinclair, Richard Bowman, George A. Agoston, Jim Hill, Gwyneth M. Thurgood
  3. pp. 385-387
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  1. Books Received
  2. pp. 372-373
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